In "Taking Sides", Keitel is a U.S. Army Major in Berlin after WWII. His task as a denazification inquisitor is to separate the populous into black hats, white hats, and gray hats: In particular, one gray hat symphony orchestra conductor, Skarsgård. The film, which bears the ear marks of it's theatrical pedigree, focuses entirely on Keitel's investigation and interrogation of the conductor as it creates some serious dramatic moments which the principals dispatch in fine style. However, because of the esoteric nature of its content and the issues it examines (eg: separation of art and politics, etc.) "Taking Sides" will not likely have broad appeal and should be most appreciated by those into serious theatrical ensemble drama. It's worth noting that some potent parallels exist between "Taking Sides" and current events in Iraq which may make the film seem more poignant and contemporaneous. (B)
Review of Taking Sides
