Set in the verdant yet somehow stark landscape of rural Georgia this film opens with the female-to-male transgendered subject of the film, Robert Eades, stating: `This is Bubba country.' And he is SO accurate.
This powerful film profiles transgendered people in very poor and very rural Georgia. Most of them are faced with poor or non-existent medical care by `professionals' that are, more often than not, embarrassed by their patients. These are people that are just trying to find a little happiness for themselves and receive what should be basic human rights -- and time and again they are denied those rights.
While the name of the film is "Southern Comfort," that is also the name of the annual transgender conference/convention held in Georgia. The subjects of this film survive from one day to the next for the few days each year when they know that they are not alone. As Robert states: `For once we outnumber THEM.'
Robert is in the nearly unbelievable position of being a man dying of ovarian cancer. He was unable to receive proper medical care because of the ignorance and uncaring of the doctors that were available to him. They all seemed to feel that he would be an embarrassment to their medical practices.'
There are horrific examples of surgical horror stories and botched operations -- with the ghastly scars to prove it.
The interviews with the families of the subjects of the films are especially revealing:
The son of Robert Eades (from when he was a woman) can't quite keep straight whether to refer to him as a man or as his `mom.' But it is clear that he loves him deeply.
The father of Robert says: `I had a dream that my daughter would marry a man that would be President of the United States.' Never imagining for a moment that his daughter could be president. Because in his narrow and limited mind women cannot be president just as women cannot be men. He refused to have his face shown when he was interviewed.
What shines out above all else in this transcendent film about a man's life is the wisdom, wit, humour and charm of a man who the system failed. Remarkably, a man that showed no overt bitterness right up to his death in a hospice.
Lola Cola -- Roberts partner and a male-to-female transgendered person -- closes the film by saying: `Nature delights in diversity ... why can't human beings?'
This powerful film profiles transgendered people in very poor and very rural Georgia. Most of them are faced with poor or non-existent medical care by `professionals' that are, more often than not, embarrassed by their patients. These are people that are just trying to find a little happiness for themselves and receive what should be basic human rights -- and time and again they are denied those rights.
While the name of the film is "Southern Comfort," that is also the name of the annual transgender conference/convention held in Georgia. The subjects of this film survive from one day to the next for the few days each year when they know that they are not alone. As Robert states: `For once we outnumber THEM.'
Robert is in the nearly unbelievable position of being a man dying of ovarian cancer. He was unable to receive proper medical care because of the ignorance and uncaring of the doctors that were available to him. They all seemed to feel that he would be an embarrassment to their medical practices.'
There are horrific examples of surgical horror stories and botched operations -- with the ghastly scars to prove it.
The interviews with the families of the subjects of the films are especially revealing:
The son of Robert Eades (from when he was a woman) can't quite keep straight whether to refer to him as a man or as his `mom.' But it is clear that he loves him deeply.
The father of Robert says: `I had a dream that my daughter would marry a man that would be President of the United States.' Never imagining for a moment that his daughter could be president. Because in his narrow and limited mind women cannot be president just as women cannot be men. He refused to have his face shown when he was interviewed.
What shines out above all else in this transcendent film about a man's life is the wisdom, wit, humour and charm of a man who the system failed. Remarkably, a man that showed no overt bitterness right up to his death in a hospice.
Lola Cola -- Roberts partner and a male-to-female transgendered person -- closes the film by saying: `Nature delights in diversity ... why can't human beings?'