After `Memento', I - and a lot of others - eagerly awaited to see what Nolan would do next. Could he repeat the success? No. Could he still do a decent movie, a cut above the rest? Yes.
It's all about a killer. A top detective, Dormer (Al Pacino), along with his partner Eckhart (Martin Donavan), is called in to assist in a murder in remote Alaska. They're assisted by the local police officer Ellie Burr (Hilary Swank), who is a big fan of Dormer. Well and good. The two detectives have a secret shared between them, which allows for some creative, character building friction. You want a twist? Got it - there's a few. Firstly, there's the whole `insomnia' element - Alaska is in a 24-hour sun period, which Dormer cannot adjust to. Therefore he's constantly awake, and as the hunt continues, getting more and more tired - and more and more likely to mistake. Speaking of mistakes - he makes a big one (which I can't reveal) but which has dramatic consequences (not to mention character introspecting and building). This allows the movie to take a path, which is somewhat unexpected (for a bit), especially when we see how far Dormer is willing to go. It's all let down a bit by a final fifteen minutes which is, if nothing else, too dully Hollywood predictable. Oh well.
So the script's good but not excellent. Certainly not a patch on `Memento' as it has none of its mystery or suspense. It's essentially a cop/bad-guy story with the insomnia twist, and doesn't feature any spectacularly memorable moments. So why is it above average? The performances help for one. Al Pacino is the perfect person to play an insomniac - his drooping eyes are suited to Dormer. Yes he does his usual, appearing to sleep through his roles, but it suits the Dormer character and so he's well chosen. Swank is a bit disappointing - it's not a fault of her acting abilities, but more of a character that seems decidedly under-developed. All we know is that she's a fan of Dormer, but out to prove herself and make a mark. Not original. Robin Williams is of course the most talked about actor here, casting himself against type as a villain. He's remarkably restrained. I normally loathe his `comedy' roles, and kept expecting him to burst into goofy gestures and rambling nonsense, but he keeps himself in, gives himself a quiet dignity, undercut with a credible sense of menace. It'll make his role in `One Hour Photo' interesting to see. His character is also reasonably interesting, let down again by the weak finale.
So how does Nolan, master editor, work out here? He's good. There is a nice repeated image that, like elements of `Memento', only makes full sense later on. There're some great cuts and moments indicating Pacino's extreme fatigue - still camera work, sound being drowned out, and so forth. Certainly Nolan knows how to do his visuals and work with the beautiful Alaskan (and British Columbian) landscape to create stark images (which are, of course, also metaphorical). His use of lighting - a necessity in this movie - is good, and a nice contrast with light being used where dark would normally be the enemy. It's his work, along with the actors, that lifts up the movie into the `well worth watching' category.
I was, in the end, a little bit disappointed with `Insomnia'. It's not half as clever as `Memento', presumably having to pander more towards typical Hollywood sensibilities (it appears that it deviates from the original to make it more audience friendly). The lack of a stronger script is offset by some fine acting and assured direction. I look forward to seeing what Nolan does next, just not with quite the same eagerness as I did before this. 8/10.
It's all about a killer. A top detective, Dormer (Al Pacino), along with his partner Eckhart (Martin Donavan), is called in to assist in a murder in remote Alaska. They're assisted by the local police officer Ellie Burr (Hilary Swank), who is a big fan of Dormer. Well and good. The two detectives have a secret shared between them, which allows for some creative, character building friction. You want a twist? Got it - there's a few. Firstly, there's the whole `insomnia' element - Alaska is in a 24-hour sun period, which Dormer cannot adjust to. Therefore he's constantly awake, and as the hunt continues, getting more and more tired - and more and more likely to mistake. Speaking of mistakes - he makes a big one (which I can't reveal) but which has dramatic consequences (not to mention character introspecting and building). This allows the movie to take a path, which is somewhat unexpected (for a bit), especially when we see how far Dormer is willing to go. It's all let down a bit by a final fifteen minutes which is, if nothing else, too dully Hollywood predictable. Oh well.
So the script's good but not excellent. Certainly not a patch on `Memento' as it has none of its mystery or suspense. It's essentially a cop/bad-guy story with the insomnia twist, and doesn't feature any spectacularly memorable moments. So why is it above average? The performances help for one. Al Pacino is the perfect person to play an insomniac - his drooping eyes are suited to Dormer. Yes he does his usual, appearing to sleep through his roles, but it suits the Dormer character and so he's well chosen. Swank is a bit disappointing - it's not a fault of her acting abilities, but more of a character that seems decidedly under-developed. All we know is that she's a fan of Dormer, but out to prove herself and make a mark. Not original. Robin Williams is of course the most talked about actor here, casting himself against type as a villain. He's remarkably restrained. I normally loathe his `comedy' roles, and kept expecting him to burst into goofy gestures and rambling nonsense, but he keeps himself in, gives himself a quiet dignity, undercut with a credible sense of menace. It'll make his role in `One Hour Photo' interesting to see. His character is also reasonably interesting, let down again by the weak finale.
So how does Nolan, master editor, work out here? He's good. There is a nice repeated image that, like elements of `Memento', only makes full sense later on. There're some great cuts and moments indicating Pacino's extreme fatigue - still camera work, sound being drowned out, and so forth. Certainly Nolan knows how to do his visuals and work with the beautiful Alaskan (and British Columbian) landscape to create stark images (which are, of course, also metaphorical). His use of lighting - a necessity in this movie - is good, and a nice contrast with light being used where dark would normally be the enemy. It's his work, along with the actors, that lifts up the movie into the `well worth watching' category.
I was, in the end, a little bit disappointed with `Insomnia'. It's not half as clever as `Memento', presumably having to pander more towards typical Hollywood sensibilities (it appears that it deviates from the original to make it more audience friendly). The lack of a stronger script is offset by some fine acting and assured direction. I look forward to seeing what Nolan does next, just not with quite the same eagerness as I did before this. 8/10.