Yeah, sure, you can say that this film is stereotypical. But being Italian myself, and coming from an Italian family, I have to say that this film was not stereotypical - atypical maybe. But if you want to bemoan this film for it's racial designations and characters, you might want to see "My Big fat Greek Wedding" first. You want stereotypical? That film will give it to you. It covered each and every cliche' possible, and everyone laughed. So what?
TBMS is a good film. It's lighting can be off at times, and the camera work is slightly jumpy, but I still believe it's better than a lot of boring hollywood productions I have seen as of late. The story is original, and if anyone wants to say that the acting was "wooden", you might want to take a look at the performance by Rosemary Prinz; it's impressive, and is not cliched like Greek Wedding; she actually seems like she's from Italy. Scott Baio is impressive in a role that only he could play, and at least he's Italian, dammit! How many more films do I have to see with someone playing an ethnicity they know nothing about? Baio thankfully jumped into this role, adding a touch of flavor to a role that probably would have been occupied by someone boring and overblown.
The rest of the supporting cast is well-played, with the exception of "Sister Grace", who was probably pulled off the street and thrown into a Nun's uniform. John Seitz plays Massimo beautifully; he reminds me of oh so many old Italians I have known.
And finally, this film does for me what many never accomplish; it made me feel like I was in the environment it took place in. If you want Italians to be "touchy-feely" all the time, go see something else. Italians are gruff, loud, and self-centered, but inside most all of us have big hearts and want to take care of those around us. This film portrays that characteristic well, and if you didn't cry, tough luck, I guess you really are wooden. I'm going to go eat some Biscotti.
TBMS is a good film. It's lighting can be off at times, and the camera work is slightly jumpy, but I still believe it's better than a lot of boring hollywood productions I have seen as of late. The story is original, and if anyone wants to say that the acting was "wooden", you might want to take a look at the performance by Rosemary Prinz; it's impressive, and is not cliched like Greek Wedding; she actually seems like she's from Italy. Scott Baio is impressive in a role that only he could play, and at least he's Italian, dammit! How many more films do I have to see with someone playing an ethnicity they know nothing about? Baio thankfully jumped into this role, adding a touch of flavor to a role that probably would have been occupied by someone boring and overblown.
The rest of the supporting cast is well-played, with the exception of "Sister Grace", who was probably pulled off the street and thrown into a Nun's uniform. John Seitz plays Massimo beautifully; he reminds me of oh so many old Italians I have known.
And finally, this film does for me what many never accomplish; it made me feel like I was in the environment it took place in. If you want Italians to be "touchy-feely" all the time, go see something else. Italians are gruff, loud, and self-centered, but inside most all of us have big hearts and want to take care of those around us. This film portrays that characteristic well, and if you didn't cry, tough luck, I guess you really are wooden. I'm going to go eat some Biscotti.