Suspect Zero, a new mystery/horror/thriller/detective-FBI film, tries to make a lot of twists and turns in telling a story that is perhaps all-too-simple at the core. While the acting is fair by the leads (Kingsley, as a man who may or may not be the suspect, plays a tortured soul better than anyone I can think of; Eckhardt and Moss are credible if maybe mis-matched), the script is something of a turn-off. Sometimes it just doesn't make sense, despite a cameo from Robert Towne (uncredited on this site) as a professor who tries to give a little explaining to the FBI agent played by Eckhardt. It's not that the idea of it isn't bad, but it doesn't engage a viewer in a way other thrillers can.
What the film has going for it is the direction. This is E. Elias Merhige's third film after his impenetrable art-house film Begotten (arguably one of the most pretentious, deranged, if unique debuts of the 90's) and small success Shadow of a Vampire (a film that gave Malkovich and Dafoe excellent screen time as silent film icons). The style is more than flamboyant- it's madness. Merhige tries his best to get inside the atmosphere that this killer and it's tracker(s) are in, and he succeeds by almost trying too hard. It reminded me of a kind of avant-garde approach to directing one of those HBO thrillers you might catch late at night. While he doesn't do a job as memorable as 'Shadow', and outside of Kingsley and maybe Eckhardt doesn't elicit very good acting, him and Michael (Raging Bull/Taxi Driver) Chapman bring out a technical aspect with tints and angles and shots that aren't too diverting.
It's the kind of film that misses the mark of great, twisted, FBI-serial killer murder mysteries, and I would not seek it out to rent, but it didn't leave too sour of a taste in my mouth, and I didn't want to walk out of it midway either. It's average fare that could've been better, could've been a lot worse. (strong) C
What the film has going for it is the direction. This is E. Elias Merhige's third film after his impenetrable art-house film Begotten (arguably one of the most pretentious, deranged, if unique debuts of the 90's) and small success Shadow of a Vampire (a film that gave Malkovich and Dafoe excellent screen time as silent film icons). The style is more than flamboyant- it's madness. Merhige tries his best to get inside the atmosphere that this killer and it's tracker(s) are in, and he succeeds by almost trying too hard. It reminded me of a kind of avant-garde approach to directing one of those HBO thrillers you might catch late at night. While he doesn't do a job as memorable as 'Shadow', and outside of Kingsley and maybe Eckhardt doesn't elicit very good acting, him and Michael (Raging Bull/Taxi Driver) Chapman bring out a technical aspect with tints and angles and shots that aren't too diverting.
It's the kind of film that misses the mark of great, twisted, FBI-serial killer murder mysteries, and I would not seek it out to rent, but it didn't leave too sour of a taste in my mouth, and I didn't want to walk out of it midway either. It's average fare that could've been better, could've been a lot worse. (strong) C