An appealing children's story (but not too simple for the adults) of a brother and sister coming to terms with the dreadful wrench of being shipped hundreds of miles away from home when evacuated from London to rural Wales during the War.
Young Keeley Fawcett (the bespectacled downtrodden daughter who bought the winning lottery ticket in AT HOME WITH THE BRAITHWAITES ) holds it all together and does a brilliant job with great sensitivity as the elder sister playing grown-up to her dopey, naive, younger brother.
I must admit I had no idea that the poor evacuees were exhibited, on arrival, like slaves at an auction, picked out at random. I had always assumed there was far more care and deliberation to the choice of where and with whom each child was billetted...
Alun Armstrong's Mr. Evans stops just short of parody, and shows his tough exterior stiff with pride, does hide a softer side. All the other characters are appealing.
**POSSIBLE SPOILER ** But - I hate these sorts of unresolved questions : WHY even in the late 40's and 50's could she not have found out from Evans or anyone else in the village, what had actually happened at Druid's Bottom after seeing it in flames from the train ? Why harbour guilt or assume blame through all those years ? Post and telephone was available! And, she left the scruffy bunny behind. An lovely film, with good location period re-creation and costumes, and sympathetic characterisation. A delight. Great family fare.
Young Keeley Fawcett (the bespectacled downtrodden daughter who bought the winning lottery ticket in AT HOME WITH THE BRAITHWAITES ) holds it all together and does a brilliant job with great sensitivity as the elder sister playing grown-up to her dopey, naive, younger brother.
I must admit I had no idea that the poor evacuees were exhibited, on arrival, like slaves at an auction, picked out at random. I had always assumed there was far more care and deliberation to the choice of where and with whom each child was billetted...
Alun Armstrong's Mr. Evans stops just short of parody, and shows his tough exterior stiff with pride, does hide a softer side. All the other characters are appealing.
**POSSIBLE SPOILER ** But - I hate these sorts of unresolved questions : WHY even in the late 40's and 50's could she not have found out from Evans or anyone else in the village, what had actually happened at Druid's Bottom after seeing it in flames from the train ? Why harbour guilt or assume blame through all those years ? Post and telephone was available! And, she left the scruffy bunny behind. An lovely film, with good location period re-creation and costumes, and sympathetic characterisation. A delight. Great family fare.