It is not easy to turn GIRL CRAZY into a disaster, given the Gershwin score and a somewhat serviceable plot - but the creators of this version have succeeded in doing just that. There were six writers given screen credit for this scenario: perhaps that was the problem, or maybe the screenplay was even worse until that number was reached.
The gags (can I call them that if they are not funny?) are so forced, so weak, so juvenile as to make an audience squirm. Wheeler and Woolsey were never worse; at their best (it says here) they were second-raters, with a very limited assortment of poses, gestures, and facial expressions. No one in this cast offers demonstrable talent. An amateur cast (and director) could have done more with the material (I've seen it happen). And let us not overlook totally mindless rendering of "I Got Rhythm" in the film's big production number.
Why did you tell me to watch this?
The gags (can I call them that if they are not funny?) are so forced, so weak, so juvenile as to make an audience squirm. Wheeler and Woolsey were never worse; at their best (it says here) they were second-raters, with a very limited assortment of poses, gestures, and facial expressions. No one in this cast offers demonstrable talent. An amateur cast (and director) could have done more with the material (I've seen it happen). And let us not overlook totally mindless rendering of "I Got Rhythm" in the film's big production number.
Why did you tell me to watch this?