Francesco Rosi has made "God has stopped at Eboli". Indeed God may well have. Several people commenting on Tears of the sun mention Burke's quote on evil triumphing if good men do nothing. But to me the most memorable, and most poignant, quote is Willis reply: " God has left Africa a long time ago". I have worked in Africa for 17 years. I can fully understand the sentiment expressed in this reply. I do not want to give up hope, and I have spent some memorably good moments there, but I cannot but help thinking more often than not that Africa has become a basket case. Some of the reasons for this are hinted at in the movie: greed, by the west hungry for oil and minerals and by the corrupted local officials, tribalism, which may be linked to religion although in my experience the tribe comes first, and especially the use of tribalism to foster greed, as in this film.
The carnage shown at the mission and at the village are gripping illustrations of something that has been happening in Africa for ages and certainly will continue for many more years. I can believe the movie is honest in trying to kick us a conscience with these images. They certainly are very powerful. But this honorable intention is marred by 2 things. One: it is packaged into a very mediocre action movie, woodenly acted, with a script full of holes and an unbelievable, but it is Hollywood after all, ending. Two: it is too topical. We are not looking at a universal conflict, the two tribes are not archetypal for THE tribes, no, they are specifically named: Fulani and Ibo in Nigeria, and suggesting the Fulani are monsters and the Ibo innocent slaughtering sheep. Not so. It could easily be the other way around. By giving these very specific topical references, the film compromises severely whatever universal message it might want to make. And presenting the son of a tribal chief as a hero for democracy is delusional.
Related to the topicality: if your film is supposed to take place in south-west Nigeria, the landscape should look the part. I did not believe for one moment that we were in Nigeria. I liked the music, but if it was supposed to bring a sense of Nigeriality across, it failed to do so. On the other hand, it gave a sense of Africa, and as such the music came much closer to illustrate the universality of the movie than did the story.
Still related to topicality but in a different sense: the character of the doctor played by Monica Belluci was very unbelievable, especially if you consider that her husband was killed not that long ago in a similar situation in Sierra Leone. I could easily recognize the priest and the nuns and their desire to stay. I talked to many missionaries who survived the massacres in the Congo in the sixties. What we see in the film comes over as quite realistic. But why does Dr Lena behave the way she does? What is her motivation? How is it possible that she is always yelling: "MY people" as she is only there since a short time and doesn't even speak the language? Psychologically she is totally underdeveloped, and that brings us back to the first problem point.
The carnage shown at the mission and at the village are gripping illustrations of something that has been happening in Africa for ages and certainly will continue for many more years. I can believe the movie is honest in trying to kick us a conscience with these images. They certainly are very powerful. But this honorable intention is marred by 2 things. One: it is packaged into a very mediocre action movie, woodenly acted, with a script full of holes and an unbelievable, but it is Hollywood after all, ending. Two: it is too topical. We are not looking at a universal conflict, the two tribes are not archetypal for THE tribes, no, they are specifically named: Fulani and Ibo in Nigeria, and suggesting the Fulani are monsters and the Ibo innocent slaughtering sheep. Not so. It could easily be the other way around. By giving these very specific topical references, the film compromises severely whatever universal message it might want to make. And presenting the son of a tribal chief as a hero for democracy is delusional.
Related to the topicality: if your film is supposed to take place in south-west Nigeria, the landscape should look the part. I did not believe for one moment that we were in Nigeria. I liked the music, but if it was supposed to bring a sense of Nigeriality across, it failed to do so. On the other hand, it gave a sense of Africa, and as such the music came much closer to illustrate the universality of the movie than did the story.
Still related to topicality but in a different sense: the character of the doctor played by Monica Belluci was very unbelievable, especially if you consider that her husband was killed not that long ago in a similar situation in Sierra Leone. I could easily recognize the priest and the nuns and their desire to stay. I talked to many missionaries who survived the massacres in the Congo in the sixties. What we see in the film comes over as quite realistic. But why does Dr Lena behave the way she does? What is her motivation? How is it possible that she is always yelling: "MY people" as she is only there since a short time and doesn't even speak the language? Psychologically she is totally underdeveloped, and that brings us back to the first problem point.