The European pseudo-noirs of the 60s and 70s reaped the benefits of being able to skip a number of steps in the writing process simply by adopting styles and themes from previous films. What was left was to add one's own spin to an existing story. Fassbinder was a genius at taking a style and making it his own, not in a superficially Tarantino-ish way, but in a way that was at once equally unique and dependent, retaining the benefits of a style and pushing it even further into his own territory.
In this sense, this film is an early experiment: a war veteran turned contract killer stoically carrying out his duties, but in a post-war German environment and with homoerotic undertones galore. But it's remarkably coherent and compelling considering how little the plot gives away explicitly. Indeed, this would become one of his trademarks.
4 out of 5 - An excellent film
In this sense, this film is an early experiment: a war veteran turned contract killer stoically carrying out his duties, but in a post-war German environment and with homoerotic undertones galore. But it's remarkably coherent and compelling considering how little the plot gives away explicitly. Indeed, this would become one of his trademarks.
4 out of 5 - An excellent film