A curious film in so many ways; it is a truly gorgeous film, great cinematography and editing to keep it as tight as possible but there is something missing at his very heart! It will obviously win Oscars, this is just the niche that the Academy voters are looking for, and I'll bet that it makes a pretty penny....but it sort of reminds me of "The Last Emperor" which I have never felt deserved a "Best Picture" Oscar in that there is minimal involvement asked of the viewer and a feeling of Who cares??? I disagree that it is a "must-see" depending on how much time and energy is available to you, the viewer. I found the other major's of 2004 to be much more involving, particularly "Finding Neverland", Spanglish, Sideways and Closer. As James Berardinelli reports, Scorcese would seem to have lost something since "Goodfellows".
Review of The Aviator
