SMILE is one of those Op-Ed moments on CNN that can be told with poignant dignity in 10 - 15 minutes and make a significant impact. The trouble with SMILE, the motion picture, is that it stretches this idea into 107 padded minutes, incorporating far more sitcom TV dialog about wealthy families with strident children looking for ways to escape uninspiring parental role models with teenage sex life and outside causes. It takes so long for this movie to get going that it loses the viewer.
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp