When a man of the sword relinquishes violence, he finds it has terrible price. He journeys to his home village where he will find the violence he running from has preceded him.
Written and directed by an English person of Indian descent, with the original inspiration coming from a Japanese folk story, this movie is part of the new Internationalism in cinema. This is in no way, an Indian film, rather it British.
The words have been used by other people and I am going to use them too, then go and spank myself for being so unoriginal.
Simple. Beautiful. Poetic.
Ouch.
It is a great example of found cinema, where many actors are simple found at the locations, with some sets being made, and many people, and sets being real. Including one major character being played by an Indian street kid.
I like this sort of movie, and if you do you will probably love this movie too.
Written and directed by an English person of Indian descent, with the original inspiration coming from a Japanese folk story, this movie is part of the new Internationalism in cinema. This is in no way, an Indian film, rather it British.
The words have been used by other people and I am going to use them too, then go and spank myself for being so unoriginal.
Simple. Beautiful. Poetic.
Ouch.
It is a great example of found cinema, where many actors are simple found at the locations, with some sets being made, and many people, and sets being real. Including one major character being played by an Indian street kid.
I like this sort of movie, and if you do you will probably love this movie too.