2046 was directed by Kar Wai Wong, who also directed In the Mood for Love. This film is also lyrical, deliberately paced, and very romantic.
Without giving too much away, the film takes place in Hong Kong and Singapore in the 60's. The main character, Chow, is a writer and womanizer. Part of the story takes place in his work, a science fiction tale called 2046.
The story is told out of sequence, with past and present jumbled. In a clever use of irony, we gradually understand that the future is being used to tell the past. Some scenes are presented early, in a way that is confusing until the context is presented later.
There are 3 female characters who are in his life, and the story is segmented accordingly.
The cinematography is beautiful. Interestingly, Wong uses 3 colors nearly exclusively: Blood red, sea green, and yellow. Sometimes he will use light to make those colors stand out, other times it is the objects themselves which are in that color.
I would characterize the story as one of love and loss. There is one poignant scene where, after he realizes what has been happening, he states that timing is crucial in love.
The film is well acted, the characters are understandable if not necessarily ones we can identify with, and the story gradually allows itself to be revealed, a peek here and a peek there, until all the pieces fall into place.
Turn off the lights, cuddle up with a glass of wine, and see this one. Well worth it.
Without giving too much away, the film takes place in Hong Kong and Singapore in the 60's. The main character, Chow, is a writer and womanizer. Part of the story takes place in his work, a science fiction tale called 2046.
The story is told out of sequence, with past and present jumbled. In a clever use of irony, we gradually understand that the future is being used to tell the past. Some scenes are presented early, in a way that is confusing until the context is presented later.
There are 3 female characters who are in his life, and the story is segmented accordingly.
The cinematography is beautiful. Interestingly, Wong uses 3 colors nearly exclusively: Blood red, sea green, and yellow. Sometimes he will use light to make those colors stand out, other times it is the objects themselves which are in that color.
I would characterize the story as one of love and loss. There is one poignant scene where, after he realizes what has been happening, he states that timing is crucial in love.
The film is well acted, the characters are understandable if not necessarily ones we can identify with, and the story gradually allows itself to be revealed, a peek here and a peek there, until all the pieces fall into place.
Turn off the lights, cuddle up with a glass of wine, and see this one. Well worth it.