There are several aspects of this film that I found to be very enjoyable: Its terrific animation, the delightful vocal performances of all the actors involved, and its irresistible imaginative charm. John Leguizamo shines as the heart of the movie, the sloth that inspires all of us to have a good time and gives us hope that there is still some imagination left in Hollywood. His creation and very talented vocal turn perfectly interacts with the other actors' styles. Romano's deadpan delivery this time has found the heart that it sorely missed last time, when it was a just boring attempt to leave his character with no personality. Romano has now found the essence of Manny and has some fun with it. He compliments Queen Latifah's lovely and goofy Ellie. Leary's Diego is not the showiest turn, but he also has some great moments.
In addition to the principals, the possums and the mini sloths are welcome arrivals, and there are some wonderful moments of nutty entertainment, as now computers can portray some truly wacky moments, such as the Berkeley-inspired moment in the sacrificial fire pit and the vulture "food" numbers.
This film is a throwback to what made classics such as "The Little Mermaid" and "Beauty and The Beast" work: solid acting and a good writing base. It's a commendable and admirable effort.
In addition to the principals, the possums and the mini sloths are welcome arrivals, and there are some wonderful moments of nutty entertainment, as now computers can portray some truly wacky moments, such as the Berkeley-inspired moment in the sacrificial fire pit and the vulture "food" numbers.
This film is a throwback to what made classics such as "The Little Mermaid" and "Beauty and The Beast" work: solid acting and a good writing base. It's a commendable and admirable effort.