Watch this movie closely (if you dare), and you will see certain of the same fairly long sequences repeated only a few minutes apart (such as when they are walking up the mountain and when they are searching the city sewers near the end), not including the ridiculous loop of the snow creature of which various short segments play now and then, both in forward and reverse, from start to finish (amazing how well he can walk backwards). Seriously, near the end, it is so awkward when you see random bits of the loop right close together which literally made a friend and I groan out of discomfort, almost as if the editor was trying to drive the viewer mad, especially when it sometimes freezes for a moment as if the projector just stopped, before the next scene begins.
The snow creature looks much like a man/poodle hybrid! It's true!
There are some really horrible elements of this movie, which are a mix of incoherence and that of the ludicrous:
1. I'm not quite sure what happens when they capture the snow creature. It seems he is trying to bring down the cave ceiling to kill the intruders, but his female and baby snow creature are killed instead and he knocks HIMSELF out to add insult to injury! (Or maybe it was some sort of suicidal act?) If he already had a female, then why did he kidnap the woman, and why did they give up the search for her so quickly?
2. The part where an inspector from the US Customs Service wants to know if the creature is a man or a beast after they arrive is ludicrous, and jaw-droppingly silly. That part alone makes the movie a joke.
3. I may be wrong on this, but why would the sewers be so much cooler, (even cold) for the snow creature to prefer being down there? Wouldn't they be a lot warmer? I know in most other movies, even if it is cold in the city, you see steam rising from the manholes. I am nitpicking perhaps, but I CAN see him hiding down there just because it is cave-like.
All of the ridiculous technical points, even as to why a botanist is freezing in heaps of snow and strong winds (maybe it was solely for the botanist-becomes-Yeti-hunter plot twist) and the shooting of the "radio machine" (and the exchanging of the booze and the radio in their respective containers to hide the damaged radio for fixing later) make this just a bit "too much" to enjoy.
1/10. I mean, they have got to be kidding. Like my friend's father used to say, "I know a poodle when I see one!"
The snow creature looks much like a man/poodle hybrid! It's true!
There are some really horrible elements of this movie, which are a mix of incoherence and that of the ludicrous:
1. I'm not quite sure what happens when they capture the snow creature. It seems he is trying to bring down the cave ceiling to kill the intruders, but his female and baby snow creature are killed instead and he knocks HIMSELF out to add insult to injury! (Or maybe it was some sort of suicidal act?) If he already had a female, then why did he kidnap the woman, and why did they give up the search for her so quickly?
2. The part where an inspector from the US Customs Service wants to know if the creature is a man or a beast after they arrive is ludicrous, and jaw-droppingly silly. That part alone makes the movie a joke.
3. I may be wrong on this, but why would the sewers be so much cooler, (even cold) for the snow creature to prefer being down there? Wouldn't they be a lot warmer? I know in most other movies, even if it is cold in the city, you see steam rising from the manholes. I am nitpicking perhaps, but I CAN see him hiding down there just because it is cave-like.
All of the ridiculous technical points, even as to why a botanist is freezing in heaps of snow and strong winds (maybe it was solely for the botanist-becomes-Yeti-hunter plot twist) and the shooting of the "radio machine" (and the exchanging of the booze and the radio in their respective containers to hide the damaged radio for fixing later) make this just a bit "too much" to enjoy.
1/10. I mean, they have got to be kidding. Like my friend's father used to say, "I know a poodle when I see one!"