This is what is known as a "mid-sized movie", full of recognizable, but good, character actors, engaging dialog, strong intimacy, and no need to dazzle and impact a viewpoint of the audience. As that, it is perfect.
The plot involves four generations of the Lair family, a kooky great-grandfather who deals with his impending death by thinking up alternative funerals, a grandfather who has been missing for decades due to a history of alcoholism and thievery, a son who "just wants to be normal" (we always know how well that works in family-driven films...), and a grandson who wants to go along for the ride because it will be fun. Once the grandfather (Walken) comes home, the great-grandfather makes some plans... only he has to die to make sure his progenitors will carry it through. Enter a road-trip, some spice-of-life, and a generous heaping of self-discovery, and voila, you get the prototype for this film.
I think what's interesting about this movie is that it's full of dazzling panoramic long-shots of New Mexican sunsets, and yet in those shots maintains a close intimacy with the characters. Intimacy is the defining word in every case for this movie, as even when the characters are trying their darnedness to reject their family, their words bleed a need to be together. And they all know it.
This movie isn't the type to last on the conscious of many viewers because it's so quiet and devoted, but it has strong sticking power to those few who really enjoy its color and colorful characters.
--PolarisDiB
The plot involves four generations of the Lair family, a kooky great-grandfather who deals with his impending death by thinking up alternative funerals, a grandfather who has been missing for decades due to a history of alcoholism and thievery, a son who "just wants to be normal" (we always know how well that works in family-driven films...), and a grandson who wants to go along for the ride because it will be fun. Once the grandfather (Walken) comes home, the great-grandfather makes some plans... only he has to die to make sure his progenitors will carry it through. Enter a road-trip, some spice-of-life, and a generous heaping of self-discovery, and voila, you get the prototype for this film.
I think what's interesting about this movie is that it's full of dazzling panoramic long-shots of New Mexican sunsets, and yet in those shots maintains a close intimacy with the characters. Intimacy is the defining word in every case for this movie, as even when the characters are trying their darnedness to reject their family, their words bleed a need to be together. And they all know it.
This movie isn't the type to last on the conscious of many viewers because it's so quiet and devoted, but it has strong sticking power to those few who really enjoy its color and colorful characters.
--PolarisDiB