The third display of Erich Kästner's classic "Das Fliegende Klassenzimmer" passes through some perceivable changes. The story adopts clever into the modern time era, still keeping the tragic elements of the divided Germany alive in the form of past memories. But, nevertheless it seems that the real punch-line of Kästners story was lost somewhere throughout the attempt to adjust the characters and main story to our time. The deep emotional fracture, and the virtue of the historical background story aren't quite noticeable. Both crucial elements of Kästners novel - not only the carefully designed historical ballast and action but also the in-tensed psychological element, that clearly incorporation of the partitioned boarding school in the characters of Bökh and Kreuzkamm, together loose their meaning and significance. Also, like with the most movies made by a novel/book, the complexity of the single characters develops only in limited directions.
On the other side, the persuasive performances by all the main actors, and the fact that across the movie all unnecessary clichés we used to see in such teenage movies do not appear, leads to a positive evaluation of this movie. It certainly is both delightful and interesting to see how Kästners story and imagination after decades have past, at least in some basic outlines
On the other side, the persuasive performances by all the main actors, and the fact that across the movie all unnecessary clichés we used to see in such teenage movies do not appear, leads to a positive evaluation of this movie. It certainly is both delightful and interesting to see how Kästners story and imagination after decades have past, at least in some basic outlines