Pixar, at least the preDisney Pixar, uses shorts as experiments. They've used them for new volume computation routines. Remember the birds squooshed together on a telephone line? Remember "Boundin'" which investigated the use of quickly changing space? This one is an amusement of course, they all are. But its reason to be what it is, is the opportunity to explore how characters define space. A problem with the type of 3D animation Pixar does is that the characters become harder. Their skin becomes more of an edge that separates them from their context. Human actors have ways around this. Digital puppets don't have this same possibility.
But they have others, and one of those is to be compound beings. But how to use this so the characters "read" well is unknown. So we have this experiment. As with all Pixar projects, its a triumph. Its more amazing when you know the problem they were solving.
Ted's Evaluation -- 3 of 3: Worth watching.
But they have others, and one of those is to be compound beings. But how to use this so the characters "read" well is unknown. So we have this experiment. As with all Pixar projects, its a triumph. Its more amazing when you know the problem they were solving.
Ted's Evaluation -- 3 of 3: Worth watching.