'Princess Mononoke' is, quite frankly, one of the greatest animated films of all time. It's a classic, filled with terrific, eye-popping imagery, complex characters, and it is truly powerful in its dramatic impact. I came close to tears by the film's end.
The first thing you will notice about 'Mononoke' is the animation. Animation god Hayao Miyazaki fills his screen with lush colors and bizarre fantasy creatures (personal favorite: Ashitaka's deer/horse steed Yakul). It's a far cry from the increasingly cheap animation we have in America. The movie is ambitious in its scale, and there are some truly magnificent set-pieces, like the near-apocalyptic ending.
Also of particular note is the story. These characters and this plot are not black-and-white. Lady Eboshi may be cutting down the forests and angering the gods, but she truly believes it will help her people; she shows compassion to outsiders like lepers and prostitutes, and her regret at Ashitaka's cursed arm is sincere (she did, after all, cause the boar god's madness). San, the "Princess Mononoke" of the title, has shades of gray, too: Yes, we sympathize with her desire to protect the forest, but she is not innocent of bloodshed. Even Jigo, a con man/priest who wants the Forest Spirit's head for the Emperor (which is obviously a bad idea), has his reasons for committing what may be considered "evil".
The English voice cast has divided people, but I liked it. Billy Crudup brings gravity and stoicism to Ashitaka, and Claire Danes is appropriately fierce as San. The standouts, however, lie in the supporting cast. Minnie Driver is perfect as Eboshi, bringing wit and elegance to the role; Gillian Anderson breaks from her Scully persona to deliver a powerful performance as ancient wolf god Moro; Keith David, one of America's most underrated actors, rules as the boar god Okkoto, and Billy Bob Thornton is very funny as Jigo. Thornton's Southern drawl has caused controversy amongst fans, but I think it adds to the character's charm.
'Princess Mononoke' is a masterpiece. To find a flaw in this movie is impossible.
The first thing you will notice about 'Mononoke' is the animation. Animation god Hayao Miyazaki fills his screen with lush colors and bizarre fantasy creatures (personal favorite: Ashitaka's deer/horse steed Yakul). It's a far cry from the increasingly cheap animation we have in America. The movie is ambitious in its scale, and there are some truly magnificent set-pieces, like the near-apocalyptic ending.
Also of particular note is the story. These characters and this plot are not black-and-white. Lady Eboshi may be cutting down the forests and angering the gods, but she truly believes it will help her people; she shows compassion to outsiders like lepers and prostitutes, and her regret at Ashitaka's cursed arm is sincere (she did, after all, cause the boar god's madness). San, the "Princess Mononoke" of the title, has shades of gray, too: Yes, we sympathize with her desire to protect the forest, but she is not innocent of bloodshed. Even Jigo, a con man/priest who wants the Forest Spirit's head for the Emperor (which is obviously a bad idea), has his reasons for committing what may be considered "evil".
The English voice cast has divided people, but I liked it. Billy Crudup brings gravity and stoicism to Ashitaka, and Claire Danes is appropriately fierce as San. The standouts, however, lie in the supporting cast. Minnie Driver is perfect as Eboshi, bringing wit and elegance to the role; Gillian Anderson breaks from her Scully persona to deliver a powerful performance as ancient wolf god Moro; Keith David, one of America's most underrated actors, rules as the boar god Okkoto, and Billy Bob Thornton is very funny as Jigo. Thornton's Southern drawl has caused controversy amongst fans, but I think it adds to the character's charm.
'Princess Mononoke' is a masterpiece. To find a flaw in this movie is impossible.