There is nothing super-special about this ensemble murder mystery -- a rich man is killed and everyone is a suspect -- but it is notable as one of a number of detective films of its era to feature mid 20th century depictions of mystics, seances, seers, fortune tellers, fake physics, and the like. Misha Auer has a nice turn as Swami Yomurda, and therefore the movie joins my collection of B-Movies with occultism themes. There is something intriguing to me about this sort of exoticism -- it is rarely respectful of the occult, but it always spices up the proceedings and can also provide an excuse for some nifty set dressing and costuming.