"The Hamiltons" has a great premise, and the ending of the film is inches from being extremely satisfying. On its own, an excellent ending...it's getting there that's the problem with the film.
The fundamental flaw of "The Hamiltons" is that it's caught between being a serial killer film and a family drama, and unlike "Suburban Nightmare" - which was similar, also an indie, and much better in my opinion - "The Hamiltons" refuses to commit to its characters. It wants you to empathize with them at the same time it paints them as violent sociopaths. In doing this I found the ending disingenuous, and most of the movie was simply too scattered.
There ARE strong points to the film. The main character, Francis, is easily the most well-developed character. Although he gets too whiny and, frankly, useless at times, he's able to make the transition into action with aplomb. His relationship with one of the women being held in the cellar of the house is particularly well-written and potent.
The problem is that the movie feels forced to bend to genre conventions, and in doing so it makes the other three members of the family unsympathetic in the extreme. The characters of Wendell and Darlene are written well as sociopaths, but the problem comes when the film wants you to identify with them and accept them as part of this family, and you can't imagine why anyone would love them even if they WERE family.
The film is worth watching, but the script really could've used another run through editing to work out the kinks.
The fundamental flaw of "The Hamiltons" is that it's caught between being a serial killer film and a family drama, and unlike "Suburban Nightmare" - which was similar, also an indie, and much better in my opinion - "The Hamiltons" refuses to commit to its characters. It wants you to empathize with them at the same time it paints them as violent sociopaths. In doing this I found the ending disingenuous, and most of the movie was simply too scattered.
There ARE strong points to the film. The main character, Francis, is easily the most well-developed character. Although he gets too whiny and, frankly, useless at times, he's able to make the transition into action with aplomb. His relationship with one of the women being held in the cellar of the house is particularly well-written and potent.
The problem is that the movie feels forced to bend to genre conventions, and in doing so it makes the other three members of the family unsympathetic in the extreme. The characters of Wendell and Darlene are written well as sociopaths, but the problem comes when the film wants you to identify with them and accept them as part of this family, and you can't imagine why anyone would love them even if they WERE family.
The film is worth watching, but the script really could've used another run through editing to work out the kinks.