John Ford's version of the book, THE LAST HURRAH, is a behind the scenes look at one last election campaign for an aging mayor (Skeffington) of a town whose name is never mentioned in the film. In many ways, the film is a bit cynical as it showed the way that politicians wheel and deal and manipulate--but in this case, always for a good cause. While Skeffington is definitely not above using these questionable tactics, at the same time, he is shown as fundamentally decent and very, very sentimental--with a true love for his constituents. This is a very difficult balancing act for the film--combining gritty realism with sentimentality, but it manages to do so.
In many ways, this is highly reminiscent of the real life Ford, as he was by many accounts a highly manipulative son of a,.....well, you know what I was going to say. Yet, at the same time, sentimentality abounds in his films like no other film maker. You can see it here in his liberal use of old and almost forgotten supporting stars--such as Eddie Brophy, Frank McHugh and Jane Darwell.
Overall, the film is very interesting and manipulative (in a good way), as you find yourself pulling for Skeffington and feeling his pain as well--even though he is a fictional character AND a politician! The film is well worth seeing and the film is extremely well-acted and directed.
In many ways, this is highly reminiscent of the real life Ford, as he was by many accounts a highly manipulative son of a,.....well, you know what I was going to say. Yet, at the same time, sentimentality abounds in his films like no other film maker. You can see it here in his liberal use of old and almost forgotten supporting stars--such as Eddie Brophy, Frank McHugh and Jane Darwell.
Overall, the film is very interesting and manipulative (in a good way), as you find yourself pulling for Skeffington and feeling his pain as well--even though he is a fictional character AND a politician! The film is well worth seeing and the film is extremely well-acted and directed.