The Eclipse denotes Michelangelo Antonioni 's flawless taste,and his powerful,virile instinct for strong compositions;this elegant and suave movie is one of the cinema's best pieces of poetry (I must also confess that I prefer this early,younger,"black and white" and peninsular Michelangelo Antonioni;he was 50 years when he made L'ECLISSE).Before he approached the '60s counterculture,Antonioni made a few strong movies not only for the intellectuals but also about intellectuals.
This one is an incredibly rich movie,a movie about many things:about solitude,financial pawns,a woman's indefinite aspirations,the vibrating city beauty,and the heart's resilience,the woman soul's density,the urban aesthetic;and also about:greed,people that search gropingly .Little wheels in the gearing of the stock exchange;the stock exchange's crushing machine.Antonioni is caustic and sober.His theme,the human monad,is inexhaustible.The naturalness,the charm,the intensity,the integrity,the width of this film must be mentioned.Antonioni proved that,for his cinema,experiments are always ways and means,while the most intense poetry is the aim.(Each great director is an experimenter;all great directors are experimenters,only to be better poets.)
Antonioni is one of the three directors who,according to Averty,never made a bad movie (and Antonioni's creation was,for almost two decades, quite abundant;it is only after Blowup (1966) that he went slow,making some seven movies in so many decades).His movies don't have a "sockdolager",that's part of what makes them so good and endearing.Experimenting in countless ways,Antonioni never forgot to be a poet,and never failed.His aesthetic aim has a side of ingenuity and directness that enchants in an unfailing way.
And what is Antonioni's poetry?It is this compact texture,this density of the people and of the life,the striking immediacy.It is amazing also how Antonioni put all of himself in this beautiful movie,The Eclipse.
Like a few others,The Eclipse is one of the movies that give us the taste of what cinema can be.
This one is an incredibly rich movie,a movie about many things:about solitude,financial pawns,a woman's indefinite aspirations,the vibrating city beauty,and the heart's resilience,the woman soul's density,the urban aesthetic;and also about:greed,people that search gropingly .Little wheels in the gearing of the stock exchange;the stock exchange's crushing machine.Antonioni is caustic and sober.His theme,the human monad,is inexhaustible.The naturalness,the charm,the intensity,the integrity,the width of this film must be mentioned.Antonioni proved that,for his cinema,experiments are always ways and means,while the most intense poetry is the aim.(Each great director is an experimenter;all great directors are experimenters,only to be better poets.)
Antonioni is one of the three directors who,according to Averty,never made a bad movie (and Antonioni's creation was,for almost two decades, quite abundant;it is only after Blowup (1966) that he went slow,making some seven movies in so many decades).His movies don't have a "sockdolager",that's part of what makes them so good and endearing.Experimenting in countless ways,Antonioni never forgot to be a poet,and never failed.His aesthetic aim has a side of ingenuity and directness that enchants in an unfailing way.
And what is Antonioni's poetry?It is this compact texture,this density of the people and of the life,the striking immediacy.It is amazing also how Antonioni put all of himself in this beautiful movie,The Eclipse.
Like a few others,The Eclipse is one of the movies that give us the taste of what cinema can be.