Superb pseudo-docudrama using fictitious characters and narrative to represent a more-or-less accurate account of the origins and early operations of the Central Intelligence Agency (C.I.A.). Matt Damon assumes a role against type here, as the carefully meticulous, self-controlled, colorless protagonist Edward Wilson, who is a pivotal higher up in the CIA in the 1950s and 60s. His devotion to family and to his job inevitably leads him into crises of priorities and conscience for which there are no satisfactory solutions.
The other subtext of importance is the pervasive sense of distrust that overtakes Wilson and everyone else in the agency. Who's spying on whom? Who in the agency is a double agent? Is the Russian spy who flips actually the fellow he claims to be? Damon offers a brilliant turn, one in which he sheds the whip smart cockiness we saw in his characters in "The Departed," "Good Will Hunting," and "Rounders," among other roles, in favor of a plodding, depressive, burdened yet resolute character, just the traits one might expect in a principled man who carries the shame and responsibility associated with his father's suicide years earlier.
The rest of the superb cast are also fascinating to watch, including fine turns by Alec Baldwin, William Hurt, Michael Gambon, John Turturro, Billy Crudup, John Sessions and DeNiro himself. Mr. DeNiro can take credit for evoking these uniformly excellent performances. Angelina Jolie, as Edwards' wife Margaret, is left behind in this fast company, adding only ornamentation to the proceedings. My grades: 8.5/10 (A-) (Seen on 12/29/06)
The other subtext of importance is the pervasive sense of distrust that overtakes Wilson and everyone else in the agency. Who's spying on whom? Who in the agency is a double agent? Is the Russian spy who flips actually the fellow he claims to be? Damon offers a brilliant turn, one in which he sheds the whip smart cockiness we saw in his characters in "The Departed," "Good Will Hunting," and "Rounders," among other roles, in favor of a plodding, depressive, burdened yet resolute character, just the traits one might expect in a principled man who carries the shame and responsibility associated with his father's suicide years earlier.
The rest of the superb cast are also fascinating to watch, including fine turns by Alec Baldwin, William Hurt, Michael Gambon, John Turturro, Billy Crudup, John Sessions and DeNiro himself. Mr. DeNiro can take credit for evoking these uniformly excellent performances. Angelina Jolie, as Edwards' wife Margaret, is left behind in this fast company, adding only ornamentation to the proceedings. My grades: 8.5/10 (A-) (Seen on 12/29/06)