Here's a film that means well but is so shoddy budget-wise, and so tortuously contrived story-wise, that it nearly collapses into the 'Worst Movies Ever' category by the end. It's not THAT bad, but it's a far cry from being an underrated or undiscovered "gem" that many of the reviewers in this forum would like to claim of it.
This is basically a mashing of "The Day The Earth Stood Still" and "Red Planet Mars." The basic gimmick is a make-up compact-like device that contains lipstick-sized human-killing-only "bombs." The aliens hand it over to human-kind figuring it'll speed up our race to destroy ourselves (since the aliens can't do it themselves and they want our planet for their own survival). But instead of handing the devices off to the leaders of five different powerful countries, they hand it off to five various individuals---then announce it to the world. And they don't explain to anyone how to open these devices... and they don't say what's inside the devices and whether it's good or bad. It's all very vague and unnecessarily confusing when these aliens have a 27 day deadline to get the job done. It's also known as bad writing. And the worst example of the forced and, dare I say stupid, writing follows halfway through. That would be when the Soviets get their device opened first and immediately threaten total destruction of North America. That would be workable... except that the U.S. contingent (led by Gene Barry) open one of their alien devices soon after. Stalemate, right? Mutually assured destruction, right? Nope. For some reason the U.S. says nothing. In fact, all demands of the Soviets are met (pulling out of Europe, the Mediterranean, etc.) and, even faced with a 48 hour deadline that North America will be destroyed, the U.S. still REFUSES TO REVEAL THEY'VE GOT THE WEAPON, TOO! Huh? After this kind of egregiously inept story-telling the film has no where to go intelligently. It simply slaps on more idiocies involving messages decipherable by only one man (the German Scientist) who proceeds on a hunch based on a vague clue ("The alien said it had the power of life AND death." How meaningful) that leads to a laughable finale involving a Soviet leader crawling on the ground for the open compact evidently more concerned with meeting that deadline to destroy North America than he is with the brain-splitting sound wave that is killing him. But he's an "enemy of freedom" and is wiped out like his fellow freedom enemies across the globe, because the German scientist in the U.S. has figured out how to use the device not to kill all humankind... but only the bad people. Somehow the device has some supernatural ability to determine, like Santa Claus, who's been naughty or nice. No matter that a miscalculation on the Scientist's part might have wiped out millions of "innocents" even accepting the preposterous idea that he would have discovered and accepted the device's "enemy only" capabilities. In the end, it all becomes a reversal of "The Day The Earth Stood Still" wherein instead of the aliens threatening the Earth with destruction if we don't mend our ways, we show the aliens that we've mended our ways and are now welcomed and respected by the alien collective out there in the universe. Bravo, earthlings. Applause. But let's not forget that at the time of this film (1957) the U.S. and Soviet Union already had the SAME SITUATION as presented in the film, involving nuclear weapons. Therefore the crucial element in the plot is totally repetitious. Both the U.S. and the Soviets already had weapons capable of blowing up the entire world. We moved from A-Bomb to H-Bomb in a game of one-oneupmanship that only led to détente. What difference would a more powerful weapon make? Even if the Soviets threatened the U.S. with the alien weapon the U.S. could counter with good ol' fashioned nukes to destroy the Soviets. So, what would be the point? And lastly, it's ridiculously forced storytelling to have the human race be saved or destroyed by the actions of one man (the German scientist) and then have the aliens congratulate mankind for waking up and joining the "friends of freedom" across the universe. Mankind DIDN'T wake up... one lone scientist just figured out the way to use the device to kill bad people. And Gene Barry didn't even help--because he played a people-distrusting cynic! It's a weird (or just plain bad) film indeed that lets its top-lined star play such a non-heroic, virtually useless character (try to recall ANYTHING that Barry does in this film that's productive). Sadly, it seems there are viewers out there who find this heavy-handed Armageddon nonsense to be a deep and thought-provoking sci-fi take on Cold War hysteria. It's hysterical alright. One last note: the film features the famous voice of Paul Frees as a news announcer and actually has him on camera in one scene. It's surprisingly rare when Frees is on camera so this is one opportunity to see the face behind so much fabulous voice-over work. I assume his character wasn't an "enemy of freedom" and made the cut when that scientist fired off the weapon.
This is basically a mashing of "The Day The Earth Stood Still" and "Red Planet Mars." The basic gimmick is a make-up compact-like device that contains lipstick-sized human-killing-only "bombs." The aliens hand it over to human-kind figuring it'll speed up our race to destroy ourselves (since the aliens can't do it themselves and they want our planet for their own survival). But instead of handing the devices off to the leaders of five different powerful countries, they hand it off to five various individuals---then announce it to the world. And they don't explain to anyone how to open these devices... and they don't say what's inside the devices and whether it's good or bad. It's all very vague and unnecessarily confusing when these aliens have a 27 day deadline to get the job done. It's also known as bad writing. And the worst example of the forced and, dare I say stupid, writing follows halfway through. That would be when the Soviets get their device opened first and immediately threaten total destruction of North America. That would be workable... except that the U.S. contingent (led by Gene Barry) open one of their alien devices soon after. Stalemate, right? Mutually assured destruction, right? Nope. For some reason the U.S. says nothing. In fact, all demands of the Soviets are met (pulling out of Europe, the Mediterranean, etc.) and, even faced with a 48 hour deadline that North America will be destroyed, the U.S. still REFUSES TO REVEAL THEY'VE GOT THE WEAPON, TOO! Huh? After this kind of egregiously inept story-telling the film has no where to go intelligently. It simply slaps on more idiocies involving messages decipherable by only one man (the German Scientist) who proceeds on a hunch based on a vague clue ("The alien said it had the power of life AND death." How meaningful) that leads to a laughable finale involving a Soviet leader crawling on the ground for the open compact evidently more concerned with meeting that deadline to destroy North America than he is with the brain-splitting sound wave that is killing him. But he's an "enemy of freedom" and is wiped out like his fellow freedom enemies across the globe, because the German scientist in the U.S. has figured out how to use the device not to kill all humankind... but only the bad people. Somehow the device has some supernatural ability to determine, like Santa Claus, who's been naughty or nice. No matter that a miscalculation on the Scientist's part might have wiped out millions of "innocents" even accepting the preposterous idea that he would have discovered and accepted the device's "enemy only" capabilities. In the end, it all becomes a reversal of "The Day The Earth Stood Still" wherein instead of the aliens threatening the Earth with destruction if we don't mend our ways, we show the aliens that we've mended our ways and are now welcomed and respected by the alien collective out there in the universe. Bravo, earthlings. Applause. But let's not forget that at the time of this film (1957) the U.S. and Soviet Union already had the SAME SITUATION as presented in the film, involving nuclear weapons. Therefore the crucial element in the plot is totally repetitious. Both the U.S. and the Soviets already had weapons capable of blowing up the entire world. We moved from A-Bomb to H-Bomb in a game of one-oneupmanship that only led to détente. What difference would a more powerful weapon make? Even if the Soviets threatened the U.S. with the alien weapon the U.S. could counter with good ol' fashioned nukes to destroy the Soviets. So, what would be the point? And lastly, it's ridiculously forced storytelling to have the human race be saved or destroyed by the actions of one man (the German scientist) and then have the aliens congratulate mankind for waking up and joining the "friends of freedom" across the universe. Mankind DIDN'T wake up... one lone scientist just figured out the way to use the device to kill bad people. And Gene Barry didn't even help--because he played a people-distrusting cynic! It's a weird (or just plain bad) film indeed that lets its top-lined star play such a non-heroic, virtually useless character (try to recall ANYTHING that Barry does in this film that's productive). Sadly, it seems there are viewers out there who find this heavy-handed Armageddon nonsense to be a deep and thought-provoking sci-fi take on Cold War hysteria. It's hysterical alright. One last note: the film features the famous voice of Paul Frees as a news announcer and actually has him on camera in one scene. It's surprisingly rare when Frees is on camera so this is one opportunity to see the face behind so much fabulous voice-over work. I assume his character wasn't an "enemy of freedom" and made the cut when that scientist fired off the weapon.