Gone, despite the lame title, is an enjoyable film from first time director Ringan Ledwidge.
A very underplayed thriller revolving around the relationship between a backpacking British couple and a suspicious American, I found the film refreshing for managing to avoid the same traps that most films of this genre stumble with.
The catalyst of the film - the relationship between the two male leads - was handled delicately, full of nuance, and was almost Hitchcockian in its building of suspense.
As the events of the film are comparable to the recent Peter Falconio / Joanne Lees case, it would have been advisable to set the film elsewhere - especially since the vast expanse of the Australian outback has been seen too recently in films like John Hillcoat's 'The Proposition' and Phillip Noyce's 'Rabbit Proof Fence'. A possible alternative for the location of the film could have been New Zealand's South Island - picturesque, isolated, and just as popular with backpackers as Australia.
I was lucky enough to see a preview screening of the film, followed by a Q&A session with Ringan Ledwidge and Amelia Warner. Definitely one to watch, Warner could be a future English rose of the film industry (especially if she manages to avoid wearing orange lamé blouses in public!). Watch this space!
Elsewhere on this site, there is mention of the film being a rip-off of Dead Calm. Although I can see the similarities, Gone is a much more intriguing film. Although the two films deal with the same issues, I see Dead Calm as a popcorn film for the masses. Gone, on the other hand, is much more cerebral and perfect for an audience who appreciates attention to detail.
I would definitely recommend this film to friends.
A very underplayed thriller revolving around the relationship between a backpacking British couple and a suspicious American, I found the film refreshing for managing to avoid the same traps that most films of this genre stumble with.
The catalyst of the film - the relationship between the two male leads - was handled delicately, full of nuance, and was almost Hitchcockian in its building of suspense.
As the events of the film are comparable to the recent Peter Falconio / Joanne Lees case, it would have been advisable to set the film elsewhere - especially since the vast expanse of the Australian outback has been seen too recently in films like John Hillcoat's 'The Proposition' and Phillip Noyce's 'Rabbit Proof Fence'. A possible alternative for the location of the film could have been New Zealand's South Island - picturesque, isolated, and just as popular with backpackers as Australia.
I was lucky enough to see a preview screening of the film, followed by a Q&A session with Ringan Ledwidge and Amelia Warner. Definitely one to watch, Warner could be a future English rose of the film industry (especially if she manages to avoid wearing orange lamé blouses in public!). Watch this space!
Elsewhere on this site, there is mention of the film being a rip-off of Dead Calm. Although I can see the similarities, Gone is a much more intriguing film. Although the two films deal with the same issues, I see Dead Calm as a popcorn film for the masses. Gone, on the other hand, is much more cerebral and perfect for an audience who appreciates attention to detail.
I would definitely recommend this film to friends.