Spaceways (1953)
4/10
Breach of faith
13 March 2007
Warning: Spoilers
Spaceways exemplifies the characteristic weakness of early British SF movies. It has a potentially interesting premise but doesn't develop it.

It is basically a 'first man into space' movie but by the time of its release there had already been three such movies, so it needed a twist. In this case, the twist is the reason for going into space at all. A scientist's wife and her lover have gone missing and he is accused of murdering them and hiding the bodies in a satellite. He goes into space to retrieve the satellite and prove his innocence.

That is a satisfactory idea for a movie, but Spaceways just doesn't know how to run with it. It takes an hour to set up the situation so that the actual space flight is shoe-horned into the final ten minutes. Even then, the premise is completely undermined, because an investigator has already found the missing couple and solved the mystery before take off, making the space flight unnecessary.

The movie was crying out for the actual murderer to be on the spaceship, trying to kill the hero to prevent his own discovery - or something of the kind. It wouldn't have been hard to plot. This would have given the space flight some purpose and would have allowed for some real tension in what should have been the climactic scenes.

When you call a movie 'Spaceways' you are setting up certain expectations. If all you deliver is just a tepid mystery, with a desultory spaceflight tacked on at the end, it is a breach of faith with the audience.

Although this movie is thoroughly competent for its budget level, it is hard to recommend it to any but the most determined SF completist.
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