2/10
Walking the tightrope of the masculine/feminine aesthetic inherent in positions of power
10 April 2007
Tilda Swinton is a marvelous actress, but she's at a real loss here playing a high-powered attorney, operating under a mass of neuroses, who is on her way to becoming a judge yet sidelined by family issues. Adaptation of Louise Kaplan's book gets a quasi-arthouse treatment by director Susan Streitfeld, who wants desperately to make points out of symbolism but is far too heavy-handed in her approach to involve an audience. Amy Madigan does some solid work as Swinton's petty thief sister, but Swinton herself is impossible to get a grip on. Changing her hairstyles and overall appearance like a chameleon, Swinton is icy and aloof. There's a good actress under all this artifice, but Streitfeld is too concerned with showing off, and everyone suffers as a result. * from ****
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