where the faces are different, but the underlying message is still the same. This is a brand-new movie, and yet I've seen it a thousand times before.
The last fifteen minutes of it are as predictable as a sunrise, right from the opening credits.
Can the Hollywood producers not come up with a different idea, a new ending for their so called "thriller"s? Do they still believe that this type of ending has any thrill at all, when it's been done so many times? I'm not familiar with Nora Roberts as a writer, but this looks like it could well have been written by Mary Higgins Clark, or by me, for that matter.
I wouldn't rate this higher than 4 on the Richter scale.
The last fifteen minutes of it are as predictable as a sunrise, right from the opening credits.
Can the Hollywood producers not come up with a different idea, a new ending for their so called "thriller"s? Do they still believe that this type of ending has any thrill at all, when it's been done so many times? I'm not familiar with Nora Roberts as a writer, but this looks like it could well have been written by Mary Higgins Clark, or by me, for that matter.
I wouldn't rate this higher than 4 on the Richter scale.