This is a strange film, very strange, and not the type of film to get a release outside of a festival. There was virtually no dialogue for two hours - mostly visuals with background noises and music (played in the scene, not dubbed over). We see various strugglers in the streets and buildings of Malaysia and get a strong sense of alienation.
The film is almost a photo essay, constructed largely of beautifully composed shots of urban decay. There's the flooded building site, modest abodes, a huge butterfly and the surreal-looking streets choked in smoke from Indonesian bushfires. The film challenges an audience's patience and I was surprised there were only a few walkouts at the Melbourne International Film Festival I attended. My partner left after 90 minutes, and shortly after a little more action started to appear.
A sex scene interrupted by the smoke was amusing. The final take is particularly poignant and poetic. The film is not something I would generally recommend to mainstream audiences, but if you like something unusual during a festival, it might be worth a look in. Just be prepared to be patient.
The film is almost a photo essay, constructed largely of beautifully composed shots of urban decay. There's the flooded building site, modest abodes, a huge butterfly and the surreal-looking streets choked in smoke from Indonesian bushfires. The film challenges an audience's patience and I was surprised there were only a few walkouts at the Melbourne International Film Festival I attended. My partner left after 90 minutes, and shortly after a little more action started to appear.
A sex scene interrupted by the smoke was amusing. The final take is particularly poignant and poetic. The film is not something I would generally recommend to mainstream audiences, but if you like something unusual during a festival, it might be worth a look in. Just be prepared to be patient.