This movie is well acted and literate, and boasts a regular Masterpiece Theatre cast. So why is it not more satisfying? The miserable lives of the poor and homeless of 1828 Edinburgh are vividly detailed. I have seldom seen a more alcohol soaked movie. Practically every scene has people drunk already, getting drunk, or scheming to get more liquor. The pervasiveness of alcoholic excess as a way of driving off the demons of poverty and hopelessness has seldom been shown in more graphic detail.
The truly appalling characters of Fallon and Broom are portrayed with utter conviction by Jonathan Pryce and Stephen Rea, with excellent support from other British television and movie stalwarts such as Patrick Stewart and Sian Phillips. Former model Twiggy turns in a very moving portrayal of a young prostitute ,hardened by life at too early an age to accept the love of an earnest young medical student (Julian Sands.) Where the film falls down is in its mixed presentation of gruesome historical reality, lurid horror movie story telling, and the desire to have the film be a class act like something for the BBC.The nasty reality of the real life crimes of Burke and Hare is hardly something that could be overdone, in even the most Grand Guignol of horror movies. This film does not flinch from portraying the ugly reality of the sordid murders, including the two jolly killers getting an old woman drunk, so they can murder her more easily later on. These are matters of historical record.
But there's a sense that the movie wants to be more respectable and holds back a little, unlike the all out Gothic horror of the 1959 Flesh and the Fiends, which conveys the genuine horror of the murders, its chiller movie presentation somehow working to emphasize, rather than diminish, the dreadful catalog of greed and brutality.Oddly, the more conventional horror movie presentation of Flesh and the Fiends tends to work better than its more respectable successor.
One reason might be the large amount of gallows humor and absurdity in it, unlike the extremely serious Doctor and the Devils. The script is very witty, with George Rose and Donald Pleasence delighting in their ghoulishly humorous characters.
The Doctor and the Devils is a well made, serious movie worth seeing. It is a bit long and flat at times, and arguably a little too real for its own good, with a bleak and despairing tone prevailing, rather than the Gothic horror of Flesh and the Fiends. This somber approach may work against the film, in the long run, but it deserves to be seen by a wider audience.
The truly appalling characters of Fallon and Broom are portrayed with utter conviction by Jonathan Pryce and Stephen Rea, with excellent support from other British television and movie stalwarts such as Patrick Stewart and Sian Phillips. Former model Twiggy turns in a very moving portrayal of a young prostitute ,hardened by life at too early an age to accept the love of an earnest young medical student (Julian Sands.) Where the film falls down is in its mixed presentation of gruesome historical reality, lurid horror movie story telling, and the desire to have the film be a class act like something for the BBC.The nasty reality of the real life crimes of Burke and Hare is hardly something that could be overdone, in even the most Grand Guignol of horror movies. This film does not flinch from portraying the ugly reality of the sordid murders, including the two jolly killers getting an old woman drunk, so they can murder her more easily later on. These are matters of historical record.
But there's a sense that the movie wants to be more respectable and holds back a little, unlike the all out Gothic horror of the 1959 Flesh and the Fiends, which conveys the genuine horror of the murders, its chiller movie presentation somehow working to emphasize, rather than diminish, the dreadful catalog of greed and brutality.Oddly, the more conventional horror movie presentation of Flesh and the Fiends tends to work better than its more respectable successor.
One reason might be the large amount of gallows humor and absurdity in it, unlike the extremely serious Doctor and the Devils. The script is very witty, with George Rose and Donald Pleasence delighting in their ghoulishly humorous characters.
The Doctor and the Devils is a well made, serious movie worth seeing. It is a bit long and flat at times, and arguably a little too real for its own good, with a bleak and despairing tone prevailing, rather than the Gothic horror of Flesh and the Fiends. This somber approach may work against the film, in the long run, but it deserves to be seen by a wider audience.