In the long line of 'politically incorrect' Hollywood racial casting, Hungarian born Peter Lorre's Mr Moto is probably the least in need of historical/cultural apologies to facilitate our enjoyment of the eight dandy pics he made as the polite, but not quite knowable Japanese detective. This one is a particularly good outing as Lorre/Moto benefits from regular helmer Norman Foster's visual flair and his original storyline which has George Sanders & Ricardo Cortez plotting to disrupt joint Naval maneuvers between France & England @ Port Said, Egypt. Darkly handsome lensing from Virgil Miller (who brought similar chiaroscuro refinement to some of the Universal Basil Rathbone/Sherlock Holmes series), an unexpectedly nasty edge of perverse violence (watch for John Carradine's grim exit), and cleverly integrated Music Hall elements add a nice kick to the proceedings. Even the obligatory comic relief is tightly woven into the narrative fabric. Moto Rules.
Review of Mr. Moto's Last Warning
Mr. Moto's Last Warning
(1938)
Peter Lorre as Mr Moto races the clock to stop sabotage against French & British Naval maneuvers in Egypt.
28 November 2007
Warning: Spoilers