VAL LEWTON gave us many wonderful horror films throughout the '40s, but at one time he worked as a reader for David O. Selznick and told the producer his feelings about GONE WITH THE WIND: "This is the biggest piece of rubbish I've ever read. You'll be making the biggest mistake of your career if you decide to make this." (paraphrasing, of course). Well, he may never qualify as an accurate prophet, but he did know how to use subtle horror to make films like THE CAT PEOPLE and I WALKED WITH A ZOMBIE.
MARTIN SCORSESE narrates this thoughtful documentary on the producer with many interesting film clips from the low-budget horror films that are now considered film classics of their kind by a man who was "drawn to the darkness of the shadow world." He trusted many of his associates when he began filming the features at RKO with men like Jacques Tourneur, Nicholas Musuraca, DeWitt Bodeen, Roy Webb, and later Mark Robson. His films had an hypnotic effect on audiences, providing subtle horror through the power of suggestion.
In private, he was a sensitive man, never fully satisfied with his work or his assignments, but happily married to a woman who understood him and his needs. He was really not tough enough to be a Hollywood survivor and had a few heart attacks before the major one that killed him at the age of 46.
The documentary tells how he ignited the career of BORIS KARLOFF when Karloff was assigned to films like ISLE OF THE DEAD, THE BODY SNATCHERS and BEDLAM. As the war drew to a close, people began to turn away from horror films and Lewton's career began to decline when the defining films of his earlier career were no longer being made.
His low-budget films really were low-budget: for CAT PEOPLE he was given a budget of $150,000, but the film was a huge hit, made a million at the box-office when only A-budget features made as much and stayed in big city theaters longer than CITIZEN KANE that year!
MARTIN SCORSESE narrates this thoughtful documentary on the producer with many interesting film clips from the low-budget horror films that are now considered film classics of their kind by a man who was "drawn to the darkness of the shadow world." He trusted many of his associates when he began filming the features at RKO with men like Jacques Tourneur, Nicholas Musuraca, DeWitt Bodeen, Roy Webb, and later Mark Robson. His films had an hypnotic effect on audiences, providing subtle horror through the power of suggestion.
In private, he was a sensitive man, never fully satisfied with his work or his assignments, but happily married to a woman who understood him and his needs. He was really not tough enough to be a Hollywood survivor and had a few heart attacks before the major one that killed him at the age of 46.
The documentary tells how he ignited the career of BORIS KARLOFF when Karloff was assigned to films like ISLE OF THE DEAD, THE BODY SNATCHERS and BEDLAM. As the war drew to a close, people began to turn away from horror films and Lewton's career began to decline when the defining films of his earlier career were no longer being made.
His low-budget films really were low-budget: for CAT PEOPLE he was given a budget of $150,000, but the film was a huge hit, made a million at the box-office when only A-budget features made as much and stayed in big city theaters longer than CITIZEN KANE that year!