If Paid to kill had had a more complex leading man, a sharper and less careless script, better actors, a director who knew how to sustain tension and a show-down that was considerably less over-wrought, there might have been a competent and tension-filled noir. Faint praise, I know. Yet there are the bones for a nasty little thriller here; it's just that the flesh on those bones is weak.
James Nevill (Dane Clark) is president of a British company that does something we're never sure of. The name is Amalgamated Industries. He's a hard-charging gambler, successful, and confident to a fault. When a major deal falls through, his company teeters on the brink of bankruptcy. So does he. No one knows this except himself and his loyal and attractive secretary, Joan. So he does what so many chief executives facing public failure would do...he arranges to have himself murdered so that his insurance will go to his wife. Then when the deal turns out to be a success, Jim can't locate the killer and tell him to forget it. Soon, Jim is being beaten on the head, chased down by a car on a lonely street and nearly blown up in his office. Joan, in whom he has confided, is determined to help the man she secretly loves. Jim's wife, on the other hand, may not be trying to help Jim. It all comes together late at night in the garden house of Jim's mansion. Let's just say that there are no surprises as all the key cast members show up.
Dane Clark was a short actor who came across as intense, confident and tough. To my way of thinking, however, he was never entirely convincing winning a fist-fight with a bigger guy. In Paid to Kill, I also wonder what sort of direction, if any, he was given. His hard-charging, hard headed American CEO of a British company is almost a caricature. It's a one note performance. The other actors fare little better, with acting that's awfully close to soap opera standards. The premise of Paid to Kill is intriguing but the execution leaves a lot to be desired.
James Nevill (Dane Clark) is president of a British company that does something we're never sure of. The name is Amalgamated Industries. He's a hard-charging gambler, successful, and confident to a fault. When a major deal falls through, his company teeters on the brink of bankruptcy. So does he. No one knows this except himself and his loyal and attractive secretary, Joan. So he does what so many chief executives facing public failure would do...he arranges to have himself murdered so that his insurance will go to his wife. Then when the deal turns out to be a success, Jim can't locate the killer and tell him to forget it. Soon, Jim is being beaten on the head, chased down by a car on a lonely street and nearly blown up in his office. Joan, in whom he has confided, is determined to help the man she secretly loves. Jim's wife, on the other hand, may not be trying to help Jim. It all comes together late at night in the garden house of Jim's mansion. Let's just say that there are no surprises as all the key cast members show up.
Dane Clark was a short actor who came across as intense, confident and tough. To my way of thinking, however, he was never entirely convincing winning a fist-fight with a bigger guy. In Paid to Kill, I also wonder what sort of direction, if any, he was given. His hard-charging, hard headed American CEO of a British company is almost a caricature. It's a one note performance. The other actors fare little better, with acting that's awfully close to soap opera standards. The premise of Paid to Kill is intriguing but the execution leaves a lot to be desired.