... and there's a reason the summary headline is in quotations-- it gets thrown around a lot when referring to this film. Rightfully so.
Perhaps what separates 'Aliens' from all of the other sequels that followed 1979s 'Alien' is that it has heart. Not only are we entrenched in the stark, gritty and imaginative future that Cameron has built for us- we are emotionally connected to it. And how's that so? Well, it is the product of much hard work and imagination. Whether you appreciate the sequel as much as the original or not, 'Alien' never attempts to copy or even "outdo" its predecessor. Instead, director James Cameron respects what Ridley Scott accomplished in the first film and takes it in a completely new direction while maintaining the dynamic presence of Weaver's Ripley as a key means of continuity.
The characters are the heart of the film and the unfamiliar world in 'Aliens'. We even become attached to a android (who would have suspected that, especially after 'Alien'?). In just a few scenes, there is more humanity established in Michael Biehn's Cpl. Dwayne Hicks than in any other buff and brawn character in the future sequels.
Another key factor to the films' greatness is its special effects, crafted by the (late, sadly) Stan Winston. I have a feeling that even years from now, moviegoers will still look back on this film as one of the greatest technical accomplishments in cinema's special effects history.
As a adolescent boy, 'Aliens' was my favorite entry into the series. It was full of testosterone, centered in atmosphere, and riddled with some of the most imaginative and coolest characters and creatures ever placed on film. It still remains a favorite to this day.
Perhaps what separates 'Aliens' from all of the other sequels that followed 1979s 'Alien' is that it has heart. Not only are we entrenched in the stark, gritty and imaginative future that Cameron has built for us- we are emotionally connected to it. And how's that so? Well, it is the product of much hard work and imagination. Whether you appreciate the sequel as much as the original or not, 'Alien' never attempts to copy or even "outdo" its predecessor. Instead, director James Cameron respects what Ridley Scott accomplished in the first film and takes it in a completely new direction while maintaining the dynamic presence of Weaver's Ripley as a key means of continuity.
The characters are the heart of the film and the unfamiliar world in 'Aliens'. We even become attached to a android (who would have suspected that, especially after 'Alien'?). In just a few scenes, there is more humanity established in Michael Biehn's Cpl. Dwayne Hicks than in any other buff and brawn character in the future sequels.
Another key factor to the films' greatness is its special effects, crafted by the (late, sadly) Stan Winston. I have a feeling that even years from now, moviegoers will still look back on this film as one of the greatest technical accomplishments in cinema's special effects history.
As a adolescent boy, 'Aliens' was my favorite entry into the series. It was full of testosterone, centered in atmosphere, and riddled with some of the most imaginative and coolest characters and creatures ever placed on film. It still remains a favorite to this day.