Having just watched the film I have to agree in parts with the bottom two contributors in that the inaccuracies in the film are a let down. I sat there and laughed when they used Bresslaw in place of Scott for the Henry scene.
That said, what a superb film. Don't be fooled, as one of the other contributors said for Barbara Windsor to put herself in the film gives it an air of accuracy.
It is a homage to those characters it portrays. Too often a film biopic will show someone completely different to the truth. This film gave it warts and all. Superbly acted by the front three and a game of spot the carry on stars throughout. I'd echo a shame that it couldn't show some of the other principle characters in depth but I suppose when you've got ninety minutes you go with what you can.
Very amusing to see the Goldfinger characters, in particular as Shirley Eaton had been a carry on actress.
You could only feel despair for Williams, a tortured soul hiding behind a screen of caustic veneer. Sid James character starts as a dirty old man who it soon shows as someone of very little repertoire other than the same parlour trick to seduce. The caravan incident is straight out of Carry On although I think the connotations of Ronnie Knights hard-man are far too camp and weak.
Overall though, massively enjoyable. Those who found this disturbing should take off those rose tinted glasses.
That said, what a superb film. Don't be fooled, as one of the other contributors said for Barbara Windsor to put herself in the film gives it an air of accuracy.
It is a homage to those characters it portrays. Too often a film biopic will show someone completely different to the truth. This film gave it warts and all. Superbly acted by the front three and a game of spot the carry on stars throughout. I'd echo a shame that it couldn't show some of the other principle characters in depth but I suppose when you've got ninety minutes you go with what you can.
Very amusing to see the Goldfinger characters, in particular as Shirley Eaton had been a carry on actress.
You could only feel despair for Williams, a tortured soul hiding behind a screen of caustic veneer. Sid James character starts as a dirty old man who it soon shows as someone of very little repertoire other than the same parlour trick to seduce. The caravan incident is straight out of Carry On although I think the connotations of Ronnie Knights hard-man are far too camp and weak.
Overall though, massively enjoyable. Those who found this disturbing should take off those rose tinted glasses.