1/10
A Massacre of Film and History
15 July 2008
SPOILER: Sorry, that should read *MINUS SEVERAL STARS* but they don't give me that option.

I detest Custer and all he did post-Civil War. I'll start with that. I've been to the Custer Battlefield near Garryowen at least twice and feel that it is Holy Ground ... but not owing to the 7th Cavalry. Here ended the career of the man who would have been President, had his ambitions come to fruition. He would have also been remembered as the American Hitler.

I've read historical accounts and military histories of the battle, National Geographic articles on the fascinating forensic examination archaeologists were able to make of the battlefield after grass fires swept away much of the overgrowth. And I've always been fond of saying that I can't watch him die on film enough times.

((When he finally sent for Benteen and Reno, he had already charged into the trap: his message was (in part) "Bring rounds! P.S. BRING ROUNDS!" They were similarly ensnared in well-planned traps and could do little to help, however, not sitting on their hands protesting their sobriety in the shade of pleasant riverbank trees, let alone to each other: they were not together.))

Well, I just checked this stinker out from the local library, and I take my fond saying back. I've just seen him die one too many times. Or more accurately, I've seen *somebody* flog himself around on screen and *claim* to be Custer. I have no idea where he's flogging around, it certainly doesn't look like the Custer Battlefield -- not even remotely.

Benteen is played in one of the worst performances I've ever seen from late and talented Jeffrey Hunter as a simultaneously wooden and spineless gopher; Reno as an incompetent and insubordinate drunken lout. The families of these competent (but overwhelmed) heroic officers should have legal recourse to sue director Siodmak for their portrayals in this travesty.

Historically, geographically, politically, this movie crosses the line from "creative interpretation" to blatant twisting and reversal of anything resembling facts. Even Custer's portrayal in the wonderful farce, "Little Big Man", came much closer to the truth, and the California terrain that stood in for the Little Big Horn region in an old B&W "Twilight Zone" time-travel episode was more accurate than this.

The whole film seems to have been concocted to give the Cinerama audiences a few roller-coaster moments (a runaway wagon ride, a log flume ride, there were a few forgettable others) and even these went on *long* after they'd already proved their point.

A truly awful film. I'm taking it back to the library tomorrow first thing: it's drawing too many flies. I also want my 2 hours and 21 minutes back.
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