In the past, I have been very, very critical of the cartoons made by UPA/Columbia Pictures during the 1950s and 60s. In every case, the artwork of the cartoon was very poor compared to comparable films from MGM, Warner Brothers and Disney. Sadly, because the UPA films were so cheaply made and they unbelievably received more than their share of Oscars, this style became the norm. Well drawn backgrounds and high frame rates were to become a thing of the past and the cheap look of UPA dominated with cartoons such as Gerald McBoing-Boing and Mr. Magoo.
Fortunately, while the same bare-bones look of UPA is present in this cartoon, here it actually works to good effect due to the colors used and the grim plot. In many ways, the art is highly reminiscent of the old silent classic, THE CABINET OF DR. CALIGARI--with its German expressionistic style. Here, for once, the UPA look actually works and works well.
As for the story, it's a retelling of the classic Poe tale as read by actor James Mason--a man whose voice alone is reason to see this film.
So, despite not winning the Oscar in 1954, it was justifiably nominated and the beauty and creepiness of this film haven't diminished over the years.
Fortunately, while the same bare-bones look of UPA is present in this cartoon, here it actually works to good effect due to the colors used and the grim plot. In many ways, the art is highly reminiscent of the old silent classic, THE CABINET OF DR. CALIGARI--with its German expressionistic style. Here, for once, the UPA look actually works and works well.
As for the story, it's a retelling of the classic Poe tale as read by actor James Mason--a man whose voice alone is reason to see this film.
So, despite not winning the Oscar in 1954, it was justifiably nominated and the beauty and creepiness of this film haven't diminished over the years.