An over-sized meat cleaver being swung by an over-sized clown...
An overly low ended "Thud" is followed by an over-sized spray of blood..
All set to an overly goofy carnival organ soundtrack...
If this is interesting to you, then you might want to check out "100 Tears" for an evening of over the (big) top indie horror fun. Marcus Roch directs this strait to video opus to great effect, and never under-estimates the power of splatter. Sure, it's silly and even down right corny, but in this context it seems to work quite well. I think all would-be low budget horror producers should take a gander at "100 Tears", and take a few notes along the way. The film never tries to take itself too seriously, and that's what makes it stand out in a sea of indie crap being peddled on the unknowing public. It is hard to produce a "Realistic" story when you are working with next to no money, so why not make a film that uses that fact to it's advantage? The acting is stiff but watchable (minus the wonderful comic timing of Joe Davison) and the cinematography / lighting scheme are weak but tolerable. These down sides are over looked because the film simply entertains, and you become a part of this twisted world thanks (in part) to a wacky soundtrack by "The Voodoo Organist". Probably not for everyone, but none the less a gruesomely goofy viewing experience.
An overly low ended "Thud" is followed by an over-sized spray of blood..
All set to an overly goofy carnival organ soundtrack...
If this is interesting to you, then you might want to check out "100 Tears" for an evening of over the (big) top indie horror fun. Marcus Roch directs this strait to video opus to great effect, and never under-estimates the power of splatter. Sure, it's silly and even down right corny, but in this context it seems to work quite well. I think all would-be low budget horror producers should take a gander at "100 Tears", and take a few notes along the way. The film never tries to take itself too seriously, and that's what makes it stand out in a sea of indie crap being peddled on the unknowing public. It is hard to produce a "Realistic" story when you are working with next to no money, so why not make a film that uses that fact to it's advantage? The acting is stiff but watchable (minus the wonderful comic timing of Joe Davison) and the cinematography / lighting scheme are weak but tolerable. These down sides are over looked because the film simply entertains, and you become a part of this twisted world thanks (in part) to a wacky soundtrack by "The Voodoo Organist". Probably not for everyone, but none the less a gruesomely goofy viewing experience.