I had wanted to see this film for years after seeing a video trailer for it. Now I have finally seen it. Yes, it is undeniably cheesy in parts, but I accept that fact and watch it for the fun. And this movie is nothing short of great. The plot is slim, but it works. The drag race scenes are all done brilliantly, set to a perfect synth score by the wonderful Tangerine Dream and the two main performances by Matt Lattanzi and Loryn Locklin as the reluctant lovers are very good. It's been a while since I've seen Locklin's later movie 'Fortress' so I had forgotten just how attractive she was. Her character, Melissa, starts out as a typical concerned high school kid, but blossoms into a hot mama by the end of the picture. This is the only thing I've seen Lattanzi in, but he handles the hero role very well.
Veteran performers Geoffrey Lewis and M. Emmet Walsh are great as the kindly school principal and the evil loan shark respectively, and the rest of the villains, such as the sneering Dirk and Manney and evil racing driver the Widowmaker are all very colourful characters. It surprised me that Stephen Sommers, later known for the first two 'Mummy' films and 'Van Helsing' would start his career with this kind of film. We all have to start somewhere I guess, and 'Catch Me If You Can' was a good place to start for him, especially as he never even had to leave his hometown to film it.
The high school kids seem like a bunch of jerks, but at least they later on admit they were and decide to actually do something about the impending school closure that Melissa and Principal Johnson are trying to prevent.
Like another favourite film of mine, Charlie Sheen flick 'The Wraith', parents seem to be non-existent in this town. But the authority figure role is filled excellently by Lewis as Mr. Johnson. It is he who turns out to have been a high-school hero back in the 50s who steps in to help when all hope seems lost.
The main attraction for me was the cars, of course. The star car role is filled by two vehicles: a lovely black '68 Chevelle driven by Lattanzi for most of the movie, and 'Fast Freddie' Johnson's '57 Chevy, which is brought out of retirement for the final race against the clock after the Chevelle is laid low by Walsh's thugs. There's also a wonderful quotient of American muscle cars present throughout. I also like in the movie how some depth is injected into the character of Dylan Malone, Lattanzi's character. He at first seems like your typical anti-authority James Dean type. It is, however, revealed that he drag races to try and earn himself college tuition money to get out of his currently dead end life. This makes the final battle against Walsh more poignant, as Malone basically agrees to become a slave to Walsh if he loses the final race.
All in all, the film is by no means ever going to win any awards. But if you just want a great, fun, popcorn movie, this is one of the best of them. Please Stephen Sommers, dust this one off and give it a DVD release!
Veteran performers Geoffrey Lewis and M. Emmet Walsh are great as the kindly school principal and the evil loan shark respectively, and the rest of the villains, such as the sneering Dirk and Manney and evil racing driver the Widowmaker are all very colourful characters. It surprised me that Stephen Sommers, later known for the first two 'Mummy' films and 'Van Helsing' would start his career with this kind of film. We all have to start somewhere I guess, and 'Catch Me If You Can' was a good place to start for him, especially as he never even had to leave his hometown to film it.
The high school kids seem like a bunch of jerks, but at least they later on admit they were and decide to actually do something about the impending school closure that Melissa and Principal Johnson are trying to prevent.
Like another favourite film of mine, Charlie Sheen flick 'The Wraith', parents seem to be non-existent in this town. But the authority figure role is filled excellently by Lewis as Mr. Johnson. It is he who turns out to have been a high-school hero back in the 50s who steps in to help when all hope seems lost.
The main attraction for me was the cars, of course. The star car role is filled by two vehicles: a lovely black '68 Chevelle driven by Lattanzi for most of the movie, and 'Fast Freddie' Johnson's '57 Chevy, which is brought out of retirement for the final race against the clock after the Chevelle is laid low by Walsh's thugs. There's also a wonderful quotient of American muscle cars present throughout. I also like in the movie how some depth is injected into the character of Dylan Malone, Lattanzi's character. He at first seems like your typical anti-authority James Dean type. It is, however, revealed that he drag races to try and earn himself college tuition money to get out of his currently dead end life. This makes the final battle against Walsh more poignant, as Malone basically agrees to become a slave to Walsh if he loses the final race.
All in all, the film is by no means ever going to win any awards. But if you just want a great, fun, popcorn movie, this is one of the best of them. Please Stephen Sommers, dust this one off and give it a DVD release!