7/10
THE STEEL HELMET (Samuel Fuller, 1951) ***
14 January 2009
Fuller's first major work is typically hard-hitting: not that many films have been made about the Korean War (in fact, this was reportedly the very first) but leave it to Fuller to have the last word on the subject – at least, with respect to the actual conflict. One could argue that we had more or less seen this type of jungle warfare in WWII films based in the Pacific, but there's no denying that the writer/director brought unprecedented realism and a moral outlook all his own to a genre he tackled most frequently throughout his career. Furthermore, he sketched soldiers of true flesh-and-blood with their sense of discipline and judgment often clouded by selfishness, prejudice or just plain fear – no wonder that, when the disheveled survivors are belatedly rescued from a brutal onslaught inside a Buddhist temple by their colleagues, one of the latter is induced to remark: "Say, what kind of outfit is this anyway?" For the record, the most familiar cast members are Gene Evans (though he had done a number of bits since debuting in 1947, his name is preceded here by the epithet "introducing" – and he's already fully in character as the tough, cigar-chomping sergeant), Steve Brodie as his disgruntled commanding officer and James Edwards as the black medic; others in the ragtag company are a man studying for priesthood, a youth whose bout as a child with Scarlet Fever has turned him prematurely and completely bald and even a Japanese (played by none other than Richard Loo – the villainous General from THE PURPLE HEART [1944] which, coincidentally, preceded this viewing). An effective addition to these – however unlikely a figure in a Fuller movie – is that of a South Korean child who helps the wounded Evans at the very start (the latter immediately dubs him "Short Round" – Steven Spielberg must have watched this at some point!) and eventually tags along, acting as guide-cum-mascot and even prays to Buddha for their safety. The second half of the picture is confined to the aforementioned temple, where the soldiers first fall victim to and then capture a solitary enemy-in-hiding; in pure Fuller mode, he tries to coerce fellow 'outsiders' Loo and Edwards into defecting, while Evans shoots him down (despite orders by their superiors to secure themselves a P.O.W.) after "Short Round" is pitilessly targeted by the approaching North Koreans.
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