'Attack' was a violent exposé of a lack of courage and perversion among American officers fighting the Germans in Belgium; a completely anti-romantic expression of disgust with war, and, more specially, the war machine, with its breakdown and its own ridiculous brand of bureaucracy
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.