Newman's fifth film for Martin Ritt, "The Outrage" was based on the classic Japanese film "Rashômon," but Ritt transplanted the tale to the South Western U.S. following the Civil War
Carrasco has been convicted of raping a woman (Claire Bloom) and murdering her husband (Laurence Harvey), but four eye-witness accounts conflict All agree that the bandit raped the woman, but only one asserts that he committed the killing
Sadistic, defiant, and challenging, Carrasco snarls, sneers, and walks with macho arrogance, to hide the fact that he can only be strong by tying a man to a tree and raping his wife
The role allowed Newman to give a bravura performance, not unlike Toshiro Mifune's in the Kurosawa film, and the stylization would fit the story if everybody else weren't playing it so straight As it is, the performance seems too showy, easily understandable, exaggerated
Carrasco has been convicted of raping a woman (Claire Bloom) and murdering her husband (Laurence Harvey), but four eye-witness accounts conflict All agree that the bandit raped the woman, but only one asserts that he committed the killing
Sadistic, defiant, and challenging, Carrasco snarls, sneers, and walks with macho arrogance, to hide the fact that he can only be strong by tying a man to a tree and raping his wife
The role allowed Newman to give a bravura performance, not unlike Toshiro Mifune's in the Kurosawa film, and the stylization would fit the story if everybody else weren't playing it so straight As it is, the performance seems too showy, easily understandable, exaggerated