After a long break, director Kathryn Bigelow returns with 'The Hurt Locker', and shows why she is one of the most exciting film-makers working today.
Following a particular bomb squad currently serving in Iraq, the film shows the conflict on a number of different levels. From the ground-level troops, to the commanding officers, to the civilians who witness every intense stand-off on a daily basis, 'The Hurt Locker' puts the viewer on the front line.
Where other war-related films revel in the action-orientated battle scenes, Bigelow deliberately drains all the excitement and popcorn approach from the scenes involving gunplay and bombings, making for a much more natural, realistic effect.
The interaction between the U.S soldiers is first-rate, showing how the Bush government's ham-fisted invasion of Iraq has affected the troops' effectiveness on the ground, and its alliance with Iraqi civilians.
Performances are perfect. Jeremy Renner is excellent as Staff Sergeant James, who loves the rush of disarming bombs, even if it means putting his fellow soldiers at risk. Anthony Mackie is great as the level-headed Sanborn, while Brian Geraghty scores strongly as Eldridge, who admires both James and Sanborn, but can't decide which side to take.
A great companion piece to Brian DePalma's criminally under-rated 'Redacted', 'The Hurt Locker' is an incredibly vivid, technically brilliant drama that shows that the people who suffer the most during war are the ones who have to experience it first-hand, and that a war plan half-completed can only lead to disaster. It is also great to see Kathryn Bigelow ('Near Dark'/'The Loveless'/'Strange Days'/'Point Break'/'K-19 : The Widowmaker') back, showing once again what a terrific film-maker she is.
Following a particular bomb squad currently serving in Iraq, the film shows the conflict on a number of different levels. From the ground-level troops, to the commanding officers, to the civilians who witness every intense stand-off on a daily basis, 'The Hurt Locker' puts the viewer on the front line.
Where other war-related films revel in the action-orientated battle scenes, Bigelow deliberately drains all the excitement and popcorn approach from the scenes involving gunplay and bombings, making for a much more natural, realistic effect.
The interaction between the U.S soldiers is first-rate, showing how the Bush government's ham-fisted invasion of Iraq has affected the troops' effectiveness on the ground, and its alliance with Iraqi civilians.
Performances are perfect. Jeremy Renner is excellent as Staff Sergeant James, who loves the rush of disarming bombs, even if it means putting his fellow soldiers at risk. Anthony Mackie is great as the level-headed Sanborn, while Brian Geraghty scores strongly as Eldridge, who admires both James and Sanborn, but can't decide which side to take.
A great companion piece to Brian DePalma's criminally under-rated 'Redacted', 'The Hurt Locker' is an incredibly vivid, technically brilliant drama that shows that the people who suffer the most during war are the ones who have to experience it first-hand, and that a war plan half-completed can only lead to disaster. It is also great to see Kathryn Bigelow ('Near Dark'/'The Loveless'/'Strange Days'/'Point Break'/'K-19 : The Widowmaker') back, showing once again what a terrific film-maker she is.