Mike Leigh is the undisputed king of the awkward moment. He takes a this cinematic staple and extrapolates it into clenching agonies of time. In some of his films, Leigh allows the unease to build up to a crescendo, and in other films he simply lets it simmer. It's safe to say the awkward silence is something of a Leigh trademark, and in this film we are given a searing, painful stretch involving five pathologically shy people.
Sylvia is an attractive yet shy working-class woman caring for her mentally disabled sister, Hilda. Her well-meaning harridan of a workmate pitches in to help from time to time, but Sylvia knows this woman is a credulous boob. There's a teacher down the street, also shy to the point of being socially inept. He likes Hilda, but that dog won't hunt, so he takes a shine to Sylvia.
Will either of these two break through their timidity? Will anyone get face to face and come down to brass tacks? If Leigh's vision of stodgy English reserve and working class ennui has anything to say about it, we can assume it's not likely...
This slow and bleak film isn't for everyone, but it helps one understand the foundations that Leigh created early in his career.
Sylvia is an attractive yet shy working-class woman caring for her mentally disabled sister, Hilda. Her well-meaning harridan of a workmate pitches in to help from time to time, but Sylvia knows this woman is a credulous boob. There's a teacher down the street, also shy to the point of being socially inept. He likes Hilda, but that dog won't hunt, so he takes a shine to Sylvia.
Will either of these two break through their timidity? Will anyone get face to face and come down to brass tacks? If Leigh's vision of stodgy English reserve and working class ennui has anything to say about it, we can assume it's not likely...
This slow and bleak film isn't for everyone, but it helps one understand the foundations that Leigh created early in his career.