3/10
A few moody B&W scenes prop up a dull, lifeless, incoherent screenplay
10 July 2009
Warning: Spoilers
W. Lee Wilder may not have had his brother's level of talent, but he did have enough to come up with interesting premises (in this case, what seems to be the first movie about the abominable snowman) and the occasional interesting shot or composition.

What he didn't seem to have, at least in this movie, was a sense of pacing, or a sense of what to include and omit, or (apparently) even a budget, given the incredibly annoying overuse of several completely unconvincing frames of his "creature" emerging from the darkness and then retreating back into it(seemingly by reversing the film). Seriously,they must have used this 3 second sequence 20 times or more, and it barely worked the first time. This is very symptomatic of the movie's poverty of invention.

The screenplay itself has plot holes you could drive a Himalayan expedition through. Most of the "action" in the first half of the movie consists of either silent climbing sequences, or master shots of people sleeping and talking inside their tents. And then after the creature is captured and shipped to Los Angeles, it escapes, and the whole thing turns into a police procedural/storm drain chase that would make the writers of "The Indestructible Man" giggle uncontrollably in derision. (At least IM had Lon Chaney Jr, and a flame thrower and a bazooka).

The actors don't have anything to work with here. Basically, every main character is either unlikable or dumber that dirt. The yeti itself is totally unconvincing - the costume appears to be a shaggy rug wrapped around a tall, slender actor.

Don't waste your time with this one. It's not good enough to watch as a movie, and it's not bad enough to be any fun.
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