"Bordertown" is the story of a Mexican attorney, Johnny Ramirez, and his fight to make something of himself and realize the American dream. Who better to portray him than the Jewish Paul Muni. After physically attacking another attorney during a disastrous court appearance, Johnny becomes a bouncer in a nightclub. However, his brains, ability, and negotiation expertise come to the attention of his boss, Roark (Eugene Palette), who agrees to bring him in as a partner. Johnny has also come to the attention of Marie Roark (Bette Davis), the restless wife of the boss, and she throws herself at him. Johnny, however, has fallen for Dale (Margaret Lindsay), a socialite. Marie kills her husband, and when he rejects her again, she tells the police that Johnny killed Roark.
Paul Muni was an excellent actor whose style of acting is perhaps dated by today's standards. He could disappear into his roles, often to great effect, but unfortunately, he doesn't disappear enough into Johnny Ramirez. His portrayal is over the top and his accent is bad. The standout is Bette Davis, young and pretty, as the unstable wife. Just off her great success in "Of Human Bondage," which was a loanout by Warners, she demonstrates here how well she takes charge of the screen.
Most of the characters are pretty stereotypical. "Bordertown" is badly dated but worth seeing for its early Bette Davis performance.
Paul Muni was an excellent actor whose style of acting is perhaps dated by today's standards. He could disappear into his roles, often to great effect, but unfortunately, he doesn't disappear enough into Johnny Ramirez. His portrayal is over the top and his accent is bad. The standout is Bette Davis, young and pretty, as the unstable wife. Just off her great success in "Of Human Bondage," which was a loanout by Warners, she demonstrates here how well she takes charge of the screen.
Most of the characters are pretty stereotypical. "Bordertown" is badly dated but worth seeing for its early Bette Davis performance.