7/10
One That Might Please Most
16 November 2009
Warning: Spoilers
In the past few years, director John Schlesinger has been living a quiet, serene life for himself. In the late 1960's, Schlesinger won an Oscar for Best Director in the classic "Midnight Cowboy" and has been nominated for many more during that period. Then his star status slowly began to plummet. With "Marathon Man" being his best in the 1970's and "Believers" has his best work in the 1980's, and in the 1990 season, he has been reduced to shifting into mediocrity with "Pacific Heights" (though Michael Keaton was was very sharp). It would be safe to say that around this time, Schlesinger's best days have long past him.

That is until 1996, when he released his forth film in the 1990's, the gripping, morbid and vengeful drama, "Eye for an Eye". Leading star Sally Field plays mother Karen McCann, a loving and devoted mother who while stuck in a hectic traffic jam receives the news via cell phone that her teenage daughter (Olivia Burnette)has been raped and murdered by some deranged lunatic. Robert Doob (Kiefer Sutherland) who was charged and arrested for this dastardly deed, is let go due a technical glitch. Karen, feels it is her own destiny to track down this evil man before he attempts to commit the same act to another unfortunate soul. Det. Denillo (Joe Mantegna) can't help her in her dilemma, which leads to Doob walking freely and on the hunt again and found another victim to rape and kill. Her motives keeps her apart from her husband Mack (Ed Harris) as her revenge becomes an obsession to the point where she decides to handle the situation, personally.

Though not on the same level as other parent losing child with death movies like "The Crossing Guard" and "Dead Man Walking", "Eye for An Eye" still has the vast array of emotions to guarantee a solid 1hr 41min of your time is well worth it. Overall the acting is very effective and all the stars bring out the best that they excel in. Kiefer Sutherland is excellent in all his villainy even if his performance is limited. Ed Harris and Joe Mantegna show wonderful performances in their brief roles, but Sally Field carries the film through as a woman obsessed with getting even with this psychopath on the loose.

Though it flows as a standard fare, Schlesinger makes sure that the pace is fast and the tensity at a heart-pulsing rate. I think a lot of people will appreciate this rare timeless classic that is highly recommended by the majority of film lovers.
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