From director David R. Ellis (whose prior credits include "Final Destination 2" and "Snakes on a Plane") comes "Asylum," a psychological horror film in which a group of college students come to find that their campus was once the spot where a mad-doctor practiced his own twisted brand of medicine. A Freddy Krueger type whose patients eventually turned on him, the doctor still haunts the halls, preying on the students and tapping into their deep-seeded emotional scars.
The film hinges on an assortment of clichés, but that's not to say that some enjoyment can't be milked from it. While you can see nearly every moment coming from miles away, the film gets by with a bit of style and energy, courtesy of Ellis. Its story is really "A Nightmare on Elm Street"-lite, but fans of the 80's franchise (as well as other similar films from the era) may just get some thrills from seeing a film pay tribute to or at least attempting to live up to its legacy (they'll also appreciate a role by Lin Shaye as the mother of one of the students).
The true weakness of the film is in its paper-thin script and characters and its over-reliance on gross-out gore over suspense. You might squirm in your seat during a scene where a character gets his lips ripped off and his tongue cut-out, but you won't necessarily care about the character himself, which is always a bad thing for a horror movie. Also, the final act reaches some ridiculous territory and will no doubt leave your eyes rolling. Go into "Asylum" with low-expectations of some fluff-horror, and you might just appreciate what the film has to offer.
The film hinges on an assortment of clichés, but that's not to say that some enjoyment can't be milked from it. While you can see nearly every moment coming from miles away, the film gets by with a bit of style and energy, courtesy of Ellis. Its story is really "A Nightmare on Elm Street"-lite, but fans of the 80's franchise (as well as other similar films from the era) may just get some thrills from seeing a film pay tribute to or at least attempting to live up to its legacy (they'll also appreciate a role by Lin Shaye as the mother of one of the students).
The true weakness of the film is in its paper-thin script and characters and its over-reliance on gross-out gore over suspense. You might squirm in your seat during a scene where a character gets his lips ripped off and his tongue cut-out, but you won't necessarily care about the character himself, which is always a bad thing for a horror movie. Also, the final act reaches some ridiculous territory and will no doubt leave your eyes rolling. Go into "Asylum" with low-expectations of some fluff-horror, and you might just appreciate what the film has to offer.