MYRNA LOY and ROBERT TAYLOR play a couple of flighty characters who think they can live on love alone. They only sober up after hubby gives up his $35 a week job in order to put some excitement back into his life. This notion doesn't sit well with Loy, who by then has become accustomed to the security of a paycheck and making it on her own without the help of her wealthy father.
That's about it for the plot. The stars do what they can to make this dreary story work--and for awhile I thought they were going to succeed. The first fifteen minutes show possibilities that are never reached in the rest of the script. How and why Metro didn't turn this into a workable enough story for their two stars is a mystery to me.
None of it makes much sense, but both stars give it their all. Taylor is relaxed and casual about everything for awhile and actually shows a bit of a flair for light comedy that was never capitalized on for most of his career. Loy is a delight, even when the muddled script makes her appear foolish and downright sappy.
It's just another one of those trifles from the '30s that fans of the stars may want to look at, but as entertainment it falls far short of the mark.
That's about it for the plot. The stars do what they can to make this dreary story work--and for awhile I thought they were going to succeed. The first fifteen minutes show possibilities that are never reached in the rest of the script. How and why Metro didn't turn this into a workable enough story for their two stars is a mystery to me.
None of it makes much sense, but both stars give it their all. Taylor is relaxed and casual about everything for awhile and actually shows a bit of a flair for light comedy that was never capitalized on for most of his career. Loy is a delight, even when the muddled script makes her appear foolish and downright sappy.
It's just another one of those trifles from the '30s that fans of the stars may want to look at, but as entertainment it falls far short of the mark.